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Must grouse wine matches be classic?

Must grouse wine matches be classic?

I’m always in two minds about whether to write about the beginning of the grouse season. After all only a tiny number of people will be sufficiently interested - or well-heeled - to bag the first birds that arrive on restaurant tables this evening.

However grouse will feature on menus over the next few weeks and I’ve been rethinking my recommendations. Up to now my view has been that grouse is such an expensive luxury that it deserves a venerable bottle of top red burgundy or Bordeaux. "I'd go for a burgundy like a Chambolle-Musigny but a mature red Bordeaux or a Côte Rôtie would be equally delicious" was what I wrote a couple of years ago.

But the fact is that most chefs now cook grouse as rare as roast beef and I’m not sure that a younger bottle of the same type of wine mightn’t be better with the season’s first birds. And that could easily be pinot from less traditional areas such as Central Otago and Martinborough in New Zealand, Australia’s Mornington Peninsula or Yarra Valley, Oregon or from California’s Anderson or Russian River Valleys whose wines often outperform mediocre burgundies. Or a vivid young syrah rather than a venerable one. Just because you’re paying a fortune for your bird doesn’t mean you should necessarily pay over the odds for your wine, especially if you're eating out.

Later in the season when grouse gets gamier you might want to reach for more complex wines - the Domaine Tempier Bandol I wrote about a while back would be fabulous but younger less expensive southern French mourvèdres would be fine too. And last year I successfully paired it with a dark brambly Georgian Saperavi.

I found restaurateur Tim Hart of Hambleton Hall in Rutland was with me on the mature mourvèdre front but was still basically a burgundy man "The same whether it’s August or November" So is cookery Rowley Leigh who used to offer a special selection of burgundies 'at prices way below normal margins' at his former restaurant Le Cafe Anglais because, he said, 'we heartily believe in drinking Burgundy with grouse'.

Henry Harris, formerly of Racine in Knightsbridge was prepared to concede "there might be some difference in a couple of weeks as the birds get more fragrant and the heather seems stronger" but was still inclined to stick to France. "Day one an elegant Bordeaux, as the season progresses a Rhône."

So, there you go. Maybe I’m now out on a limb but if you’re lucky enough to be having grouse more than once I’d try it both ways.

If you want to have a go at grouse yourself there's a great recipe here from Bristol chef Stephen Markwick with whom I collaborated on A Well-Run Kitchen.

Photo © Robin Stewart at shutterstock.com

German wine and Scandi food - natural born partners

German wine and Scandi food - natural born partners

Scandinavian food is becoming increasingly popular but what type of wine should you drink with it? Lucy Bridgers reports on how German wine fares.

With their clean, pure, precise flavours and geographical proximity, German wine and Scandinavian cuisine sounds like an obvious partnership, but until recently, one I hadn’t had the chance to try. That was until earlier this week when I was invited to do just that by Wines of Germany at their Scandinavian supperclub led by cook, food anthropologist and author Signe Johansen of Scandilicious.

We kicked off the evening with some tasty canapés: spiced Norwegian veal and lamb meatballs, mini toast Skagen topped with prawns, caviar and lemon mayonnaise and with goats cheese, pomegranate and vanilla salt. Two Mosel Rieslings and a Pfalz Pinot Noir were served with these: Dr Loosen Urziger Würzgarten Kabinett 2011, Reichsgraf von Kesselstatt Riesling Trocken 2011 and Palataia 2011.

The versatile Von Kesselstatt worked with all the canapés, especially the mini toasts and made a mouthwateringly fresh, zesty aperitif. The Urziger Würzgarten (‘Spice Garden’) was more fleshy, spicy and honeyed which chimed nicely with the sweetness of the prawns. The Palataia Pinot Noir selected to accompany the meatballs was a good match, but lacked the appetizing zip of the Rieslings at this stage of the meal.

The starter of cured salmon with wild dill pollen, Peter’s Yard sourdough crispbread, Scandinavian pickles and horseradish crème fraîche was served with Weingut Winter Riesling Trocken 2009 (Rheinhessen) and Balthasar Ress Hattenheimer Schutzenhaus Riesling Kabinett 2011 (Rheingau). The Rheinhessen, deeply coloured with lush peachy fruit, yet dry, stood up magnificently to the spicy horseradish and pickles and had enough weight on the palate to balance the richly textured sashimi-grade fish (the ABV was a full-strength 13%). In contrast, the lighter and more traditional Rheingau (10% ABV) was overwhelmed by the dish.

The main course, a wintery spread of braised finnbiff (Norwegian venison) with mushrooms and pearled spelt, salt-baked celeriac, beetroot salad with fruit vinegar and seasonal greens was served with two Pinot Noirs, Peter & Peter 2011 (Pfalz) from Zimmermann-Graeff & Muller and Meyer-Näkel Spätburgunder Blauschiefer 2010 (Ahr). Both showed well with the earthy flavours of the dish, but the complex, Burgundian Meyer-Näkel was a more memorable partner than the easy-drinking and juicy Peter & Peter.

After a refreshing palate cleanser of blood orange sorbet, we were served a two-part dessert of rhubarb and almond torte and freshly baked citrus and nutmeg madeleines with Studert Prüm’s Wehlener Sonnenuhr Riesling Auslese 2009 (Mosel) and Schloss Johannisberger Riesling Spätlese 2011 (Rheingau). Neither wine was obviously sweet, but they worked brilliantly with the desserts which were far from sugary themselves. The vibrant, almost tropical Schloss Johannisberger was a particular treat with the torte, its tingling acidity beautifully highlighting the rhubarb.

With such a range of styles now being produced in Germany – drier whites and an increasing proportion of reds – it was fascinating to experience their renewed versatility with food. (Historically in the UK German wines were more highly prized than French).

And, as expected, there is a great synergy between Scandinavian cuisine and German wine. It’s perhaps not surprising that Germany’s most important export markets include Sweden and especially Norway where they are market leaders.

Lucy Bridgers attended the event as guest of Wines of Germany

 

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