Food & Wine Pros

What sommeliers think of customers

What sommeliers think of customers

Following our article from former sommelier Zeren Wilson on how to order from a wine list, another, wine educator and consultant David Furer, turns the tables and asks some of the US’s top sommeliers what the biggest challenges and frustrations are in their job.

David writes: “The responsibilities for sommeliers exceed those of selecting, stocking, and selling wines. Estimating guests’ particularities, peculiarities, and passions requires sensitivities and skills gained from training, knowledge learned with colleagues, and experience earned from both pleasure and duress.

What may seem clearly understood to wine aficionados may be fraught with nuance and complexity to the service professional. Nine skilled US sommeliers shared their thoughts with us, laying out these challenges, difficulties, and successes.”

****************************************************

“ Our chef uses flavors ranging from extremely subtle to robust and intense. I have customers who like subtle dishes based on seafood but insist on pairing them with big Cabernets. I try to steer them toward a white wine or even a lighter red but many times it falls on deaf ears.

Another problem is large tables of eight or more with guests getting dishes running the full spectrum from mild to spicy and every thing in between with the host wanting me to select one wine that not only works with everything but which every guest at the table will enjoy.

However the most critical issue US sommeliers face are customers so rigid in their ways that they won’t listen to a sommelier’s recommendation. I have guests ordering wine off our list because it received a high score from a wine critic only to later be disappointed by it. I try to keep this from happening by asking our guests several questions on what flavor profile they like or what other wines they enjoy.

I recently had a guest ask for high scoring Napa Cabernet. I asked him several questions to determine his preferred flavor profile to which he indicated he liked lighter reds such as Pinot noir. I told him that this particular Cabernet was in fact very big and tannic yet he still wanted it. I tried in vain to talk him out of ordering it, and when I poured him a taste he then rejected the wine!

Ronald Plunkett, Senior Sommelier
Hakkasan, San Francisco

****************************************************

“I think a lot of our challenges in working with consumers lie in two major areas, communication and education. As we begin to discuss wine selections with guests, far too often we find a lack of communication about a number of really important areas creating a challenge in helping a guest select a great wine.

First and foremost is when guests are guarded about their price point. Eventually we will find out what their price point is when they order, so why don’t they just tell us upfront? If a customer wants to spend $40-$60 in a high-end restaurant (where prices can easily climb beyond that), then there’s no point in allowing the sommelier talk about Burgundy. But if a guest would communicate upfront the sommelier could offer three - one at the exact price point, one a little over, and one a little under. Of course, sommeliers can ease this information out by saying “tell me about a wine you have enjoyed recently.”

Another challenge crosses these two issues. Misunderedumacation. When guests possess a working vocabulary of wine and know their likes & dislikes, it can often be more confusing than helpful if that information is being misused. Terms like ‘dry wine’, ‘no oak’, ‘the best’, and ‘no Merlot’ can be misleading if carelessly used. Often these terms are used more as statements of sophistication than actual preferences, and it’s very important for a sommelier to differentiate between these. Guests often throw these terms around with little to know understanding of their meanings, leaving sommeliers to try and work out what they mean.

Christopher P. Bates MS, Owner & Winemaker
Element Winery, New York

****************************************************

“Working with difficult guests is when you can get to really shine, exceed expectations, and make long-term fans both of a specific wine and the restaurant. Here goes...

The guest who fears the sommelier:

One of the major categories of wine consumers are those who fear the process of choosing a wine off a menu - and for good reason. That is why a friendly, humble, and helpful sommelier is required in restaurants that hope to sell a good percentage of wine as its total sales.

A guest who would like and is in need of guidance but is fearful of asking for help or being open to it can instead be one whose eyes scan for the grape variety and then quickly over to the price as their only decision process. It’s akin to playing safe with a choice of dish and just going with chicken.

The challenge is spotting these guests and making the effort to break down this barrier and gain or re-gain their trust. It requires more time at the table along with casually-offered samples and an added dose of ‘getting to know you’.

These are the type of guests that also really enjoy the personal stories behind the wine and the producer. This is the challenge I enjoy the most as I always reserve great wines that offer far more than their price would suggest to exceed guests’ expectations.

The next time they are in my restaurant they won’t hesitate to ask for the ‘wine guy’ they met last visit so they can try something that they will love.

The overly confident name dropper:

High check-average restaurants serve a high flow of diners who see the sommelier as a chance to name-drop wine producers and re-confirm their opinions and buying choices. This is an easy sell as ‘name droppers’ are asking for the known, high-priced bottles as a way to impress others at their table and they often like to have the sommelier support their choice.

The challenge here is that they are buying for the table and far too often they go with one big bold selection for the evening no matter what the other guests may be ordering for dinner.

I love these guests as they’re are willing to spend a lot, but at no point do you want to seem that you’re second-guessing their choices. But you want to ensure everyone at the table is enjoying their experience as well, so the best way to win is may be to join them.

I often name-drop some wines to them such as “if you like wine X, then have you tried this wine Y which is where they source their grapes from or where the winemaker of wine X used to work at wine Y,” etc.

By doing this I’m supporting their choice while giving myself the chance to direct them to an additional bottle for the table that may offer a more appropriate wine option for the other diners’ main courses.

Don’t let the meeting planner order the wine:

Far too often the meeting planner is the secretary or someone else who got plucked into the role of organizing dinners for their bosses. They often have a lot of other things to contend with, thus taking the time to choose appropriate wines doesn’t happen.

A sommelier who is pro-active needs to find the time to follow up on booked parties and attempt to get hold of the planner and talk about wine. Getting proper selections pre-set can help separate your restaurant from your competition by adding a perceived added value and service.

Brian Phillips, Manager/Sommelier
Eddie V’s, Austin

****************************************************

“One of my more memorable experiences was when a guest asked me for a recommendation to go with his pâté de campagne. My suggestion was a basic red Burgundy, to which he responded, “I want a pinot noir. I don’t like red Burgundy, it’s made out of dried mixed red grapes.”

After a quick squint of confusion I quickly covered with a smile, explaining to him that his desire for a pinot noir was correct because almost all red Burgundies were actually 100% pinot noir. After insisting he try our Louis Jadot Bourgogne rouge then form his own opinion, I asked him where he had heard this information and apparently, “that’s what the label on the Carlo Rossi Red Burgundy says.”

In my opinion, the main issue US sommeliers face currently is assessing the guest’s interest and capacity. Most US natives still aren’t raised drinking wine, as is common practice in Europe where people have greater access to European wines and the countries which produce them and have, for the most part, more established wine laws providing a better idea of wines’ typicity. In the US the wine industry is younger, the wine laws less restrictive, and the profession of sommelier just relatively new. Guests are not always privy to any knowledge of wines beyond those mass-produced for sale in their grocery stores.

Balancing coming off too much as a know-it-all in a supposedly sophisticated setting is a game we play in order to make our wine sales interesting while maximizing our full potential. In a small window of interaction we must get a general idea of the guest’s knowledge, their interest in trying something adventurous, yet be able to educate or steer them in the right direction without coming off as pretentious.

Properly assessing the guest’s wants and needs, while also being hospitable, is of the utmost importance. I believe some sommeliers lose sight of hospitality in the whole transaction. If what someone is asking for is technically wrong (i.e. “I want a sweet, buttery California Chardonnay that’s light in body”), asking the right questions, being persuasive, and making the whole picture come together is a sommelier’s challenge as well as their job.”

Jennifer Estevez, Club Level Bartender
RN74, San Francisco

****************************************************

“As dining becomes more casual, sommeliers need to remember the basic tenets of proper wine service: decanting, proper opening of wines and training of all front of the house staff.

With the advent of social media and the massive amount of information available online, customers are more informed than ever. This raises the bar for sommeliers to keep our wine programs diverse, interesting, and dynamic.

Another key issue facing sommeliers is to keep proper balance between esoteric wines we may find interesting but still offer a selection of classic wines that are more familiar to a general audience.”

Alpana Singh, Proprietress and Master Sommelier
The Boarding House, Chicago (See photo at top of post © Jeff Schear Visuals)

****************************************************

“I find it an uphill battle winning the guest over to sommeliers being there to assist them regardless of whether they want to spend $15 on a glass or $5000 on a DRC. There was a long-standing stigma that the sommelier was going to ‘sell’ you something wildly out of your price range or that they were just trying to get rid of; the best way to respond is to be polite and courteous but also fun and relaxed.Wine is FUN, and people should be there enjoying it, not stressing out about it!

The US market, though incredibly diversified in the sprawling metropolitan areas, drinks what it knows and recognizes. California makes it pretty easy for them by labeling bottles with the grapes they will find within said bottle. I find it fun and challenging to take your average California wine lover and turn them onto a Pauillac in ripe vintages like 2000 and 2005--even the upcoming 08’s and 09’s. Alternately it’s fun to bring them to Jumilla or the southern Rhone for some bright, fruit rich blends.

A third issue that US sommeliers deal with is the ‘know it all’ guest, particularly true for anyone living in a wine-growing area. I often hear “oh, we’ll find something” or “‘so and so’ is from France” or “no, I know what I’m looking for, I lived in California for ten years…”, while that French person grew up in Paris and spent about as much time in the vineyards as has your 10-year old niece and the California native who spent ten years in Hollywood - not Napa Valley. Even if you did grow up in a wine region it does not mean you know the list for the restaurant you are in. If you listen to the guest and their stories, generally they will listen to what you recommend even if they do end up choosing what they know.

Wine online and in stores will not be the same price as in a restaurant. I do make a point of sourcing and finding allocated wines and small production wines that are not readily available (in all price points) as alternatives ideas for the guest to enjoy. This way it gives them something new and different and also a challenge to find it on line...at any price.”

Crystl Faye Horton-Friedman, Sommelier
Del Frisco’s NYC Steakhouse, NYC

****************************************************

“As a Master Sommelier I have found that it is crucial to understand that we are dealing with a new generation of wine drinkers. Today wine lovers have more exposure to wines from all over the world with media, apps, and technology making the introduction to wine regions more easily obtained. Our customers at The Breakers have a very adventurous palate and they expect us to be well-versed when they ask us questions. Mostly they enjoy having a conversation about their last trip and the wines that they enjoyed.

A critical issue is when our customers ask me to recommend the best wine from our 1620-selection list. I have several favorite wines that I can suggest, however I have to keep in mind that I need to recommend the best wine for my customers. I have to ‘read’ the guest and ask questions in order to find the perfect wine selection. They might be celebrating a special occasion, so perhaps champagne could be a great option. They might prefer the perfect wine for their entrée where a full-bodied red could be the best choice.

I have found occasions when our customers think that they have the right answer even when they are wrong. How to approach this situation without embarrassing them in front of their guests is a challenge--I try to be polite and explain that they can be right but I always express the correct answer as my suggestion.”

Juan Gomez MS, Sommelier - The Breakers, Palm Beach

****************************************************

“US wine culture is very young compared to the old world, but one of the reasons it has developed is because wine has been made accessible to anyone. I believe that one of the challenges we face when working with guests is the misconception that a sommelier’s goal is to make the patron spend money. That is a fallacy!

A sommelier is a hospitality industry professional, we are here to fulfill to the guest’s needs. A wine list is a somm’s child, there is no one better to guide the patron through it than the person who brought it together: the sommelier, and I am here to help! Ask me questions, let me point you in the right direction - trust me. Sometimes, I feel sorry for guests going through the pages, label by label, looking for the least expensive bottle of wine. Those ten minutes could have been ten seconds if they would’ve have let me help. This is hospitality; what makes you happy, makes me happy.”

James Jusseaume, Sommelier - David Burke Kitchen, NYC

****************************************************

“I have been at Charlie Palmer Steak for over 10 years have noticed many changing treads in consumer tastes.

One negative trend that I have been happy to see disappear is the dependence and emphasis on choosing wines based on the 100-point system. When we opened in 2003, guests would often come in with the recent Wine Spectator or Robert Parker, cross-referencing it with the wine list. Customers are less interested in the score of a wine and more on the style of the wine; they care about profile and value no matter the price point. As diners have become less focused on scores, it has become less difficult to sell wines which aren’t traditional such as a world-class English sparkling wine or an elegant Pinot noir from Sonoma Coast.

I’ve had complaints from some long-term guests about the dramatic cost increase of certain items which seemingly occur overnight caused by, in my opinion, pressures exerted by demands upon supplies of super-premium wines made by emerging wine markets. Customers just chuckle at $350 for a 2-oz. glass of wine, and they pass on it. But then I usually get them to try something new, and that builds trust.

How the customer purchases wines has also changed. The explosion of online brokers, auction sites, Costco, direct shipping, and even our local supermarkets have expanded wine selections making the customary mark-up on wine in restaurants more transparent. I’ve always focused on smaller, family-owned wines, selections that are not available everywhere.

It’s great to see so many more women in our field relegating to history the stereotype of a sommelier being a stuffy white male, looking down his nose at the customer, passing his tastevin to scoff at your selection. I am, however, a little concerned that here in the US the pendulum might be swinging a bit too far the other way. The growing image is of an early 20s, ‘hipster’ white male with orange socks, at least one tattoo, and a bit too much hair product. That said, it’s one of the best jobs in the world with room for all types. The possibilities are endless…even a ‘food truck sommelier’ sounds good to me!

Nadine Brown, Sommelier, Charlie Palmer’s Steak House, Washington DC

To see the restaurant experience from the consumer’s point of view read Zeren Wilson’s How to Handle a Wine List: 10 questions you’ve always wanted answered.

Main image credit: Matteo Orlandi from Pixabay

What bugs restaurant critics about wine service

What bugs restaurant critics about wine service

To kick off my coverage of the first Wine & Culinary International Forum in Barcelona last weekend (and while I disentangle the many complex threads on food and wine pairing) here are some highly practical points which were made by a high level panel of restaurant and wine critics including Jancis Robinson, Victor de la Serna of El Mundo and Nick Lander, restaurant critic for the Financial Times and author of the recently published The Art of the Restaurateur. (My comments in italics)

* Reds are too often served too warm. One critic said 'you should never serve a great red above 16°'. And make sure you have an ice bucket available if the customer asks for one. VLS

* Restaurants tend to be too in thrall to fashion. A few years ago it was stocking too many heavily extracted, powerful wines that don’t go well with food. Now it’s wines that taste of cider or beer [i.e. natural wines] VLS

* Chefs should make more of an effort to understand wine. “Even Ferran Adria told me he never thinks of wine when designing a dish. The younger generation of chefs think the same way. They just leave the sommelier to solve the riddle.” VLS

* Never mind climate change, restaurants need to think about customer change and the fact that far more restaurant-goers are women. It used to be that you never went to restaurants until you were 35. Now 20-35 year olds eat out regularly and it’s the young women who decide where to eat. Women are much more adventurous eaters and drinkers than their male counterparts. NL

Sommelier vanity
* If you’re matching wines to the menu are you making it absolutely clear to the customer what you’re doing - and are you doing enough to show them how easy it is to pair a glass of wine? You need to manage your sommelier’s vanity. NL [In other words don’t let them shroud the subject in mystique]

Josep Roca of El Celler de Can Roca touched on this in his presentation too.

“You have to learn, you have to listen, you have to feel.”

"You have to be sensitive to the occasion and the reason which has brought your guests to the restaurant. If people come to celebrate you cannot interrupt with 14 different drinks as we normally do. If you have someone who is elderly pouring them too many glasses of wine may leave them fatigued. You need to give them something cool and something light."

"The best pairing is not always perfect for our customers. Better a pairing that evokes a perfect moment than a perfect harmony."

Jancis also commented on this:

"I worry that the more celebrated sommeliers become there's a danger they become so famous and so successful they don’t work the floor.

And I'm concerned about how much the average consumer worries about ‘getting it right’. Would something go wrong it you ate what you wanted and drank what you wanted? You can scare people off talking about the perfect match. Wine pairing should be about options. It’s not consumer-friendly to insist on a by-the-glass pairing if what they want is to share a bottle.

(Not sure I’d go all the way with Jancis here. I think many people are looking for confident reassurance. They’re often happy to go along with a pairing the sommelier suggests in order to have a new experience. But obviously they shouldn’t be pushy about it.)

Greedy wine mark-ups
As a wineloving consumer I get weary of the extent to which wine is expected to bankroll restaurants. It’s worked for grand restaurants in the past but now people can check on their phones in an instant to see what the retail price is. And fewer and fewer customers are on generous expense accounts. JR

Don’t turn down the lights to such an extent that your customers can’t read the wine list. This recently happened to us at a celebratory meal where we were ordering good wines and resulted in the restaurant losing the opportunity to sell us a dessert wine. Poor lighting shows a lack of respect for wine. NL

Update your list regularly There’s no excuse for presenting lists with wines crossed out. Nowadays it’s easy to update and print out a new list. JR

Give everyone a wine list. Restaurants typically give them to only one person at the table but it can cause awkwardness and confusion if only one person knows the price. The easiest way to get round this is to combine the menu and the wine list. NL (Good point and so simple to do!)

How far can you go with BYO?
And a tip for for customers in response to the question “can you take your own wine to a restaurant that doesn’t do BYO? Jancis reckons you can:

“It’s obviously rude to take along wine for the whole meal but there’s no reason why you shouldn’t take along a special red for the main course, for example, if you telephone first and agree corkage. And it would be courteous to offer the owner/chef/sommelier a taste."

I was invited to attend the Wine & Culinary Forum by the main sponsor, Bodegas Torres.

Is there anything that annoys you about wine service. Have our critics got it right or is it the chef's ego that's the problem not the sommelier's?!

 

Move over sommeliers, hello wine concierges (and curators)!

Move over sommeliers, hello wine concierges (and curators)!

The news that London’s latest impossibly glitzy Russian-owned wine shop Hedonism aims to offer a ‘personal, concierge-like approach‘ according to an interview its CEO Tatiana Fokina gave the wine magazine Decanter, doesn’t come as a total surprise. The C-word has been creeping into the wine world for a while.

When I was in Bordeaux back in June I met the head sommelier of the Grand Hotel Jean-Michel Thomas (right) who with his four colleagues offers a wine concierge service to the establishment's well heeled guests. Apart from one to one tastings his services include advising customers how to set up a cellar (and even a winery), how to invest in wine (“people don’t believe in banks any more”) and conducted visits to the top chateaux. Basically anything they want. 

At Hedonism which, as wine buyer Alastair Viner told the Drinks Business, offers a level of service where "nothing is too difficult” the 12-strong team includes Mandarin, Russian, Japanese, French and Italian speakers, who are all available to visit clients in their homes.

Entering 'wine concierges' into Google I find dozens of search results - most, of course, in the states who are always ahead of the pack when it comes to riding a trend, for example Fine Wine Concierge and The Wine Concierge.

Hand in hand with concierges goes today’s other current buzzword 'curation' - professionals who pick out wines of particular interest to their clients from the millions out there. In China one entrepreneur has set up his own social wine curation club where members swop tips and can keep track on the progress of wines in their cellar. Another company Empire State Cellars is ‘curating’ a luxury wine portfolio for export to Shanghai. (Oddly a search for 'curate' on Google UK still brings up a reference to the curate’s egg - very British!)

None of these services is new, of course - they just have a different name. Merchants have bought wine for wealthy clients and monitored their cellars for years. Industry professionals have always offered private wine classes on demand and holiday companies exclusive wine tours. But with the increasing number of super-rich who need their leisure as well organised for them as their business lives it looks like wine appreciation is being taken to another level. I suspect the C-words are here to stay.

Photo by Pavel Danilyuk

An interview with Enrico Bernardo

An interview with Enrico Bernardo

If any sommelier looks set for Gordon Ramsay-style super-stardom it has to be Enrico Bernado.

At the age of 31 his eponymous Paris restaurant already has a Michelin star after being open for just six months and he’s opened another in the smart ski resort of Courchevel. Even his CV up to then is impressive - best sommelier in Italy at 20, head sommelier at the Georges V (where he spent six and a half years) at 24, the youngest ever Best Sommelier in the World at 27. Oh, and he’s written a couple of books including a massive 500 pager of tasting notes on the wines of the Mediterranean Mes Vins de Méditerranée.

On top of all this he’s come up with a really neat idea which is to open a restaurant where the food is dictated by the wine. You choose what you want to drink, the chef decides what you eat. There’s an a la carte menu of some 13 wines (prices include an accompanying dish) and 6 set menus which range from a lunchtime menu en vitesse at 50€ to a no holds barred evening prestige menu at 1000€. Does anyone actually go for that? “In the six months we’ve had 30 people taking it. We’ve sold more Petrus here than I did at the Georges V.” Bernardo laughs.

The idea behind the concept, he says, is to give customers the opportunity to explore the wine world with simple, straightforward Italian food. A lot of top restaurants have big Bordeaux and Burgundy lists and luxury ingredients like foie gras but people are looking for different experiences. Don’t people want to know what’s on the menu though? He shrugs. “When you go to dinner at someone’s house you don’t know what you’re going to eat and drink. People discover the quality of the food is good here. They don’t worry about it.”

The menu and wines change every week depending what produce is in season and Bernardo’s current vinous interests. “We hold a regular Friday morning tasting where we taste 12 dishes and 12 wines. Bernado who also trained as a chef comes up with the suggestions. His chef Davide Bariloni creates the dishes. “We go with the initial idea in 60-70% of the pairings. In 30-40% Davide changes the sauce or the garnish. I change my ideas all the time. My idea for the next couple of months is to offer one wine with two different dishes.”

My husband and I road-tested two of the lunch menus recently - the four course ‘a l’aveugle’ blind tasting menu (75 €), an elaborate version of the options game where you know neither the wine or the food you’ll be getting and a five course La France du Nord au Sud tasting menu at 180 euros which started off with a . . . er, Franz Hirtzberger Gruner Veltliner Honivogl, an excellent match for a carpaccio of sea bass but hardly French. “What happened there?” I asked Enrico. “I’m Italian” he shrugged as if that explained everything.

Although the longer menu offered three outstanding matches (the Gruner and bass, a risotto with morilles with a 2005 Ballot Millot Meursault Les Criots and a Domaine Gentile Patrimonio Rappu with tiramisu Bernardo committed the cardinal sin (in my book) of pairing a tannic young red Bordeaux (a 2004 Loville Las Cases) with a Reblochon, offset only by a slice of fig bread. It was a predictably appalling match. I was curious about this as on the la carte his pairings for cheese included the much more contemporary matches of a 1996 Pichet Chateau Chalon from the Jura, a Duvel beer and a 1989 Rivesaltes and Bernardo’s own preference with a cheeseboard, he admits, is for vintage blanc de blancs champagne. Pressed, he conceded that his predominantly French clientele expected red with cheese and a wine of this calibre in a menu at this price.

The blind tasting menu, which my husband took, was better value both from a financial point of view and in terms of entertainment value and I freely admit that Bernardo got the better of us. We mistook an uncharacteristically rich Bourgogne Aligot from J M Boillot (well paired with a Jerusalem artichoke soup with a balsamic vinegar drizzle) for a South African chardonnay and a heady 2005 Domaine Courbis Saint Joseph (served in a black glass with a dish of lamb and Mediterranean vegetables) for a Malbec. (We should have known an adopted Frenchman would stick to French wines) We more or less hit the spot with a Bernard Gripa 2006 Saint-Pray (perfect with oriechiette with spring vegetables) which we correctly identified as a Rhone white and a Montlouis Moelleux from Chidaine (gloriously paired with fresh mango and raspberries) as a Loire dessert wine.

Interestingly there were no Italian wines. Why, I asked Bernardo? He shrugged again. “Basically I prefer Italian red to Italian white. My favourite wine regions are Burgundy and the Northern Rhone. At home I drink wines like Saint-Aubin, Crozes Hermitage, Cote Rotie, some Barbera d’Alba. Not Bordeaux - it’s too expensive.”

“I’ve noticed a move away from powerful wines like Amarone and Shiraz that are impossible to drink at table to wines with more elegance and lightness, especially at this time of year. In spring I look more to Austria, Germany, New Zealand and South Africa for interesting whites.”

Compared to the master of food and wine pairing Alain Senderens who I’ve mentioned before on these pages. Bernardo’s matching menus are less painstakingly conceived and less refined but Il Vino is a more relaxed experience - a bit like a very classy, designer wine bar although Bernardo is reluctant to categorise it as that.

“In France there are different types of restaurant - brasserie, bistro, gastronomic. In Italy there are just restaurants. We are a restaurant with fresh seasonal food a nice wine selection and good service. Not sophisticated just comfortable.”

“Too many industry professionals go in for a competitive approach with long explanations for every dish. My view is if you want a spectacle go to the theatre. People are going more and more for simplicity.”

It’ll be interesting to see how well Il Vino does once the novelty of the concept wears off or whether Bernardo will have to revert to a conventional menu. In the meantime this ambitious young wine professional already has his eye on further expansion. In Italy? “No! I love Italy but I’d never work there again. Maybe London . . . Or maybe I’ll go back to the kitchen one day.”
Maybe. With Bernardo I suspect you can never rule anything out.

Il Vino d’Enrico Bernardo is at 13, boulevard de la Tour Maubourg, 75007 Paris. Tel: 01 44 11 72 00 www.ilvinobyenricobernardo.com

This article was first published in the July 2008 edition of Decanter.

About FionaAbout FionaAbout Matching Food & WineAbout Matching Food & WineWork with meWork with me
Loading