Food & Wine Pros

So you want to be a sommelier…
On the floor the lights are low, the customers are munching away on their Dover soles and their duck breasts, the musak is playing gently in the background.
The wine list is 250+ references and you’ve just got a new delivery that morning, so you’ve got some research to do, update the wine list, print off ten copies, and don’t forget to push the Numanthia, and we’re out of four of the wines.
Table 38 needs the next wine on their tasting menu, 49 have empty glasses that need clearing, 52 are waiting on their gin and tonics and the Chef’s Table needs top ups.
Mr Smith on 46 is a regular, and he likes Lynch Bages, but why don’t we upsell him a bit? What are his preferred vintages again? And he’d prefer it decanted. Oh, Luigi has all the bottles of Mas de Daumas Gassac in the Lindsay room.
Running. ‘Can we get some more bread?’. OK. 49's starters are being served, I should help. Mr Smith’s glass is empty and he’s giving the side eye. Mains away on 38's next tasting course, so they need the Tramari rosé in three minutes. Running again. Chef’s table! Thank goodness our private dining waiter doesn’t mind helping out. Still running. Always running ...
At the pub after work. 1am. Contented and feeling rewarded. It was a great shift. Every muscle in your body aches. But you did it. You opened some great bottles and your guests were overjoyed. The cheap lager tastes like you’ve just taken your first sip of water after being stuck in the Sahara for a week. Euphoria.
In June of 2017, I left Glasgow for London, having accepted the position of Junior Sommelier at Corrigan’s Mayfair – Richard Corrigan’s third award-winning fine dining restaurant, in the heart of one of the city’s most prosperous areas – with the dream of gaining enough knowledge and experience to be the best in the business. It helped me realise that personally I would prefer to be the best in the business through a word processor, but I wouldn’t give my experience as a somm back for the world. So, what does it take to become a sommelier?
When it comes to embarking on a career a sommelier, the easiest way to begin is simply by immersing yourself in wine. Go to your local library, wine shop, restaurant, and begin to ask questions. Most importantly, taste as widely as possible – even wines you wouldn’t normally go for. Taste fortified wines, like sherries and ports, cognac, the whole magical spectrum.
There are some invaluable resources out there, especially those like Wine Folly’s Visual Guide to Wine, The World Atlas of Wine, and Wine Bible. And of course the infinite expanses of the Word Wide Web always help. The guys behind Wine Folly have a great site that is perfect for the beginner, as well as Wine Spectator, Decanter – from whom I would also recommend getting a magazine subscription for some interesting perspectives and wine-related news – and some more casual sites such as Wine Wankers.
Talk to professionals, find other people who love wine, and get to tasting (or drinking). A fantastic way of tasting tons of wine without having to splash out on a bottle of Haut-Brion or DRC is to find somewhere nearby where they have an Enomatic wine dispenser, which allows you to experience tasting-sized portions of amazing wines like these without having to splash the cash ridiculously. Enomatics are also great for training if you’re taking an exam, like one of the WSET or Court exams.
So, you’ve tasted a lot, you’ve read up, you can talk to other enthusiasts about wine, so it’s time to go out and be a sommelier. Have a look online for commis or junior sommelier jobs – at the point at which I became a somm, I’d been working in hospitality for about 5 years, but it’s best to go in at the base of the pyramid. If you think you know a lot about wine, stepping foot on the floor as one of the people your guests rely on to make their evening special, armed with only your knowledge and a corkscrew, will change your mind!
The most rewarding part of the job is the joy it brings to the guests. It sounds like a huge cliché but it’s true. You are introducing people to wines they maybe haven’t considered trying before and now absolutely love, and telling them stories about each producer. And your own personal learning never stops! There are opportunities to go to professional industry tastings, your network grows by the day, and a lot of employers offer incentives – I managed to wangle winning a trip to Cognac with Remy Martin’s Louis XIII in the middle of a beautiful French summer, because of my job as a sommelier.
At Corrigan’s especially, the team spirit between the entire team was great too, not just the sommeliers. There were three off us somms, hanging out in the cellar, talking wine and testing each other, talking about wines we had tasted, and encouraging one another to excel in exams and competitions.
Our Head Sommelier, Jolanta Dinnadge, competed in the Bellavita’s UK’s Best Sommelier competition and came 2nd, and, although I’m biased, I put it down to a supportive team who want the employees to succeed. (At the time of writing she's also just been shortlisted for best UK sommelier in the 2019 GQ Food and Drink awards!)
Also, as with all hospitality jobs, you spend more time with your colleagues than your own family, which means I have come out of this job with a second mother, a protective uncle and about 15 siblings. You don’t often get that at an office job. It’s lovely to walk into the restaurant before service and receive hugs and high fives and talk next to the coffee machine for a few minutes before you clock in.
On the down side a certain weariness sets in when you’ve had four hours sleep every night for the past two weeks, and you’re only halfway through the Christmas rush. The hours are deadly.
And when you finish at three in the morning and the Tube is closed, you get home at five and are back up ready to start at ten. And when you start at ten there’s no breakfast, which means your last meal was 24 hours ago. Don’t forget you’re not allowed to eat in the kitchen. Prospective guests are coming to view the private dining rooms while you eat so if you just stand for an hour and a quarter, holding your plate in your hand, looking like a spare spanner, you’ll be fine. And you haven’t sat down in 14 hours. And don’t go through the front door, just in case the guests see you being a normal human being walking outside. Oh and we ran out of water yesterday and the delivery is not till Friday. Are you ready to be sleep deprived, hungry and dehydrated? No biggie.
But even when you come in on Saturdays before service to polish ice buckets for hours, and take out 100 bottles from the shelves to make sure the floors of the cellar are sparkly, and to clean the digestif trolley, and unpack 30 cases of wine in less than twenty minutes, you know what you are doing is for the greater good of the customer.
Sales do really go up when your bottles of fine whisky and cognacs are more sparkly than they have ever been before. And it is truly fun. Especially if it means opening a bottle of 1997 Romanée Conti Romanée Saint-Vivant. I tasted it once in my time with Corrigan’s and every late finish, every case of wine unpacked, every glass polished, became instantly worth it.
At the time Nathalie Gardiner wrote this she was studying for a Wine and Management Diploma at the Cordon Bleu Institute in Paris. She is currently working as a sommelier at Bentley's.
Photographs © Niamh Shields.

An interview with Enrico Bernardo
If any sommelier looks set for Gordon Ramsay-style super-stardom it has to be Enrico Bernado.
At the age of 31 his eponymous Paris restaurant already has a Michelin star after being open for just six months and he’s opened another in the smart ski resort of Courchevel. Even his CV up to then is impressive - best sommelier in Italy at 20, head sommelier at the Georges V (where he spent six and a half years) at 24, the youngest ever Best Sommelier in the World at 27. Oh, and he’s written a couple of books including a massive 500 pager of tasting notes on the wines of the Mediterranean Mes Vins de Méditerranée.
On top of all this he’s come up with a really neat idea which is to open a restaurant where the food is dictated by the wine. You choose what you want to drink, the chef decides what you eat. There’s an a la carte menu of some 13 wines (prices include an accompanying dish) and 6 set menus which range from a lunchtime menu en vitesse at 50€ to a no holds barred evening prestige menu at 1000€. Does anyone actually go for that? “In the six months we’ve had 30 people taking it. We’ve sold more Petrus here than I did at the Georges V.” Bernardo laughs.
The idea behind the concept, he says, is to give customers the opportunity to explore the wine world with simple, straightforward Italian food. A lot of top restaurants have big Bordeaux and Burgundy lists and luxury ingredients like foie gras but people are looking for different experiences. Don’t people want to know what’s on the menu though? He shrugs. “When you go to dinner at someone’s house you don’t know what you’re going to eat and drink. People discover the quality of the food is good here. They don’t worry about it.”
The menu and wines change every week depending what produce is in season and Bernardo’s current vinous interests. “We hold a regular Friday morning tasting where we taste 12 dishes and 12 wines. Bernado who also trained as a chef comes up with the suggestions. His chef Davide Bariloni creates the dishes. “We go with the initial idea in 60-70% of the pairings. In 30-40% Davide changes the sauce or the garnish. I change my ideas all the time. My idea for the next couple of months is to offer one wine with two different dishes.”
My husband and I road-tested two of the lunch menus recently - the four course ‘a l’aveugle’ blind tasting menu (75 €), an elaborate version of the options game where you know neither the wine or the food you’ll be getting and a five course La France du Nord au Sud tasting menu at 180 euros which started off with a . . . er, Franz Hirtzberger Gruner Veltliner Honivogl, an excellent match for a carpaccio of sea bass but hardly French. “What happened there?” I asked Enrico. “I’m Italian” he shrugged as if that explained everything.
Although the longer menu offered three outstanding matches (the Gruner and bass, a risotto with morilles with a 2005 Ballot Millot Meursault Les Criots and a Domaine Gentile Patrimonio Rappu with tiramisu Bernardo committed the cardinal sin (in my book) of pairing a tannic young red Bordeaux (a 2004 Loville Las Cases) with a Reblochon, offset only by a slice of fig bread. It was a predictably appalling match. I was curious about this as on the la carte his pairings for cheese included the much more contemporary matches of a 1996 Pichet Chateau Chalon from the Jura, a Duvel beer and a 1989 Rivesaltes and Bernardo’s own preference with a cheeseboard, he admits, is for vintage blanc de blancs champagne. Pressed, he conceded that his predominantly French clientele expected red with cheese and a wine of this calibre in a menu at this price.
The blind tasting menu, which my husband took, was better value both from a financial point of view and in terms of entertainment value and I freely admit that Bernardo got the better of us. We mistook an uncharacteristically rich Bourgogne Aligot from J M Boillot (well paired with a Jerusalem artichoke soup with a balsamic vinegar drizzle) for a South African chardonnay and a heady 2005 Domaine Courbis Saint Joseph (served in a black glass with a dish of lamb and Mediterranean vegetables) for a Malbec. (We should have known an adopted Frenchman would stick to French wines) We more or less hit the spot with a Bernard Gripa 2006 Saint-Pray (perfect with oriechiette with spring vegetables) which we correctly identified as a Rhone white and a Montlouis Moelleux from Chidaine (gloriously paired with fresh mango and raspberries) as a Loire dessert wine.
Interestingly there were no Italian wines. Why, I asked Bernardo? He shrugged again. “Basically I prefer Italian red to Italian white. My favourite wine regions are Burgundy and the Northern Rhone. At home I drink wines like Saint-Aubin, Crozes Hermitage, Cote Rotie, some Barbera d’Alba. Not Bordeaux - it’s too expensive.”
“I’ve noticed a move away from powerful wines like Amarone and Shiraz that are impossible to drink at table to wines with more elegance and lightness, especially at this time of year. In spring I look more to Austria, Germany, New Zealand and South Africa for interesting whites.”
Compared to the master of food and wine pairing Alain Senderens who I’ve mentioned before on these pages. Bernardo’s matching menus are less painstakingly conceived and less refined but Il Vino is a more relaxed experience - a bit like a very classy, designer wine bar although Bernardo is reluctant to categorise it as that.
“In France there are different types of restaurant - brasserie, bistro, gastronomic. In Italy there are just restaurants. We are a restaurant with fresh seasonal food a nice wine selection and good service. Not sophisticated just comfortable.”
“Too many industry professionals go in for a competitive approach with long explanations for every dish. My view is if you want a spectacle go to the theatre. People are going more and more for simplicity.”
It’ll be interesting to see how well Il Vino does once the novelty of the concept wears off or whether Bernardo will have to revert to a conventional menu. In the meantime this ambitious young wine professional already has his eye on further expansion. In Italy? “No! I love Italy but I’d never work there again. Maybe London . . . Or maybe I’ll go back to the kitchen one day.”
Maybe. With Bernardo I suspect you can never rule anything out.
Il Vino d’Enrico Bernardo is at 13, boulevard de la Tour Maubourg, 75007 Paris. Tel: 01 44 11 72 00 www.ilvinobyenricobernardo.com
This article was first published in the July 2008 edition of Decanter.
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