Food & Wine Pros

What makes a vino da meditazione?

What makes a vino da meditazione?

You may have a fixed idea of what constitutes a vino da meditazione but, as Peter Pharos argues, many wines are well suited to sipping thoughtfully on one's own.

Wine is for sharing: it’s the drink of conviviality and the table, food and company, the elixir of good times.

There is, however, another aspect to Dionysus’ gift. It calls for low light and solitude, quiet and reflection. If there is music, it is unobtrusive. If there is food, it is in modest quantity, there not to lead, but to support. Called vini da meditazione by the great Italian writer and connoisseur Luigi Veronelli, these wines were meant to be one-on-one affairs between the oenophile and his or her wine.

The qualities that make a “meditation” wine are not strictly defined, but typically it has to be complex and very well made. It is usually suitable for ageing and has gone at least some way towards maturity. Sometimes it is said, erroneously, that it also needs to be sweet and/or over-alcoholic. In reality, the most important quality of a vino da meditazione is to be intellectually stimulating. You wouldn’t want a boring partner in a one-to-one conversation, would you?

Six Vini da Meditazione

1. Champagne

I will understand if you think that I’m just trying to wind you up. After all, champagne looks like the complete inverse of a vino da meditazione. It is drunk at the beginning, not the end, of a meal. It’s the drink of weddings and graduations, sport victories and business deals, not of solitude, but of big groups toasting to life.

Even if one wanted to drink it alone, it doesn’t lend itself to a single pour, the fleeting nature of bubbles being notoriously tricky to preserve, above even the technological might of a Coravin.

In a way though, Champagne is a victim of its own marketing success. True, some of the non-vintage supermarket cuvées, or even some of the lower-end grandes marques, might be better suited to spraying on your fellow F1 drivers on the podium. But aim a bit further up and you are rewarded with powerful, elaborate wines with multiple layers of aromas and flavour. At the top end, as in the case of the Holy Trinity of Dom Perignon, Krug, and Cristal, you have wines of remarkable complexity, gripping intensity, and at times astounding creativity. For the oenophile, they provide an intellectual stimulation that demands full attention. You might be surrounded by people, but the affair becomes strictly one-on-one.

2. Oaked white Rioja

Like Bordeaux and Chateauneuf-du-Pape, Rioja is an area where the fame of the reds outshines some excellent, and occasionally outstanding, whites. Young or unoaked white Rioja is a food wine, needing some seafood or grilled vegetables to accompany. It is the oaked, aged takes that are of interest here though.

The traditionalists of López de Heredia produce what just might be the best value-for-money white in Europe in Tondonia Blanco Reserva. Released well over a decade after the vintage, including six years in oak, it can easily take a further decade or two in the bottle. Elegant, aromatic, and very dry, it is a wine that rewards thoughtfulness. It can accompany a carefully curated meal, but it is also happy with a small snack: some green olives, a plate of pimientos de padron, maybe a bit of manchego. And when you are ready, invest on the magnificent peculiarity that is the Gran Reserva: it is not the easiest of wines, but it is one of the most interesting. A few slivers of jamón ibérico and a couple of thin slices of good bread are enough to see you through a glass.

3. Côte-Rôtie

Autumn is prime time for the elite of the northern Rhône to grace your table. If you are lucky enough to have suitably long aged Cornas or, even better, Hermitage (and if you do, brother, can you spare a glass?), now is the time to open them; these dark and earthy marvels need gamey and ferrous flavours to be tamed. It is, however, the gentler, occasionally viognier-tempered, Syrah of the “roasted slope” that makes a meditation wine for me. Prices at the higher end can match Hermitage for silliness, but I am happy with something as relatively reasonable as Chapoutier’s Les Bécasses. You need to start early though: I am waiting at least two more years before I start diving into on my 2010s. Alternatively, look at the Wine Society, which conveniently stocks the 2006. Pour just one glass. Put a bit of pâté on grilled bread. Ponder.

4. Barolo

Pinot Noir, the great prima donna of the French vineyard, makes for a natural meditation wine when at its best. Or so I hear, as the stratospheric prices put the great crus far beyond my reach and there is only so much thinking one can do with a glass of a village-level Fixin.

Instead, I look a couple of hundred miles to the southwest, at pinot noir’s transalpine opposite number. In Barolo and environs, Nebbiolo starts too muscular and virile to imbibe solo: it needs to dance with steak in its youth and argue with truffle in its middle age. But some time around the 15-year mark, when the sharp edges have mellowed away and the nose has finally attained perfect poise, the intellectual side of The Foggy One finally comes out.

One of my star wines of last year was a Pio Cesare Barolo 2000. At 17 years of age, it had started showing hints of caramel on the nose, was gentle enough not to harm a bit of Toma di Balme, yet robust enough to take on a bit of Crudo di Cuneo.

5. Sherry

I would understand if you thought that the way I have been compiling this list makes vinous meditation sound like an extremely expensive sport, if not an outright vice. Lamentably, it is probably a bit both. If, however, you want to stay on a budget, you can hardly do better than sherry.

Wine people have been saying that it is due for a major comeback ever since I can remember, yet even in these more adventurous years, it remains an underperformer.

While this state of affairs is very unfair to the good people and excellent winemakers of Jerez, it does have the advantage of allowing the rest of us to buy wine that is complex, interesting, and different, at remarkably low prices. Marks and Spencer stocks a range of Lustau-made sherries, the more interesting of which, such as the oloroso and the palo cortado, would still be bargains at one-and-a-half times the price.

And if you do want to invest in a more extravagant sherry, wonders await. Tradición’s VORS 30 year old Oloroso is only the latest to blow me away, a multi-layered marvel that needs only a biscuit and a thin slice of Gruyère – or maybe a handful of hazelnuts.

6. Nectar

It’s not just sherry: fortified wines are natural vini da meditazione. Complexity and intensity come easy to them, while the high alcohol suggests sipping as opposed to quaffing. In many ways, vintage port is the quintessential meditation wine and one of the two I considered a bit too obvious to include here (the other being Amarone).

Sweet wines come close behind, and one could make a case for many, from Sauternes, to trockenbeerenauslese, to Passito di Pantelleria. Allow me a left-field suggestion though and a bit of a cheer for the home team. The island of Samos in Greece makes sweet wines from the local Muscat variant, which are beautifully honeyed and elegantly moreish, yet somehow still remain very under-priced.

Waitrose stocks the classic Anthemis, a great match for many traditional Greek and Middle Eastern desserts, for just above £10 for 500ml. It is, however, the odd bottling of decades-old Nectar, a naturally sweet wine of sun-dried, overripe grapes, that achieves the truly profound. In recent years, the local co-operative has released limited quantities of the 1975 and 1980 vintages, both outstanding vinous experiences that demand one’s complete and unwavering attention.

You don’t have to take my biased word for it; Jancis Robinson gave the 1980 a very rare 19/20, above venerable ports costing many times the price - and you don’t have to remember if you need to pass it left or right.

So what is your perfect vino da meditazione? Do you agree with Peter or have another favourite?

Peter Pharos likes drinking, talking and writing about the wines of Greece and Italy. He also writes a bimonthly column for timatkin.com. (That's not him in the picture by the way but a stock photo ©tverdohlib @fotolia.com!)

Clever pairings for rare sherries

Clever pairings for rare sherries

I don’t think I ever go to a sherry tasting without coming away renewed in my conviction about what a marvellous match it is for food and the one I attended yesterday was no exception. It was organised by the enterprising Les Caves de Pyrne who are importing for the first time into the UK some rare sherries from Emilio Hidalgo and took place at Dehesa, the sister (if that’s the appropriate word) restaurant of the better known Salt Yard.

The sherries themselves were spectacular but what was impressive was how well they were matched with the food - no mean feat with wines of this character and complexity

Especial Fino, La Panesa with smoked Lincolnshire eel with hispi cabbage and dehydrated olives
The component sherries in this untypical fino are an average age of 15 years which accounts for its rich golden and intense flavour of roasted almonds. The combination with the eel seemed quite Japanese in character - it added a nutty top note that provided a brilliant contrast to the slightly oily, soft, smoky fish (the cabbage and olives didn’t really affect the pairing, I found).

Oloroso Seco, Gobernador with roasted Jerusalem artichoke, pied de mouton and Morcilla
A true dry oloroso with a powerful flavour of grilled hazelnuts which stood up well to the earthy flavours of the artichoke and morcilla, two difficult ingredients to pair with wine. A very autumnal combination as Le Cave’s Doug Wregg aptly observed.

Marques de Rodil Palo Cortado with pan-fried barbary duck with blood orange and parsnip purée
The stand-out pairing for me for its sheer unexpectedness. The palo cortado which was aged for half its 20 year life under flor was paler than the oloroso, but deliciously fragrant and nutty almost turning into caramel with the sweet orange sauce (made with blood orange juice and chicken stock) and creamy parsnip pure. A really inspired combination

El Tresillo 1874 Especial Amontillado Viejo with Parmesan, Comté and Mahon with caramelised walnuts and rye bread
Possibly the best sherry I’ve ever tasted - certainly the best amontillado. I can’t really improve on the tasting note: “Imagine notes of cooked walnuts, orange peel, dried figs, toffee, cream, warm wood and spices (cinnamon, allspice, nutmeg and cloves among others” (although possibly hazelnuts rather than walnuts) Almost too good to drink with the cheese - you really didn’t want anything to distract from the amazing flavours but it did obviously work, especially with the Parmesan and Mahon. Shame it retails at around £60-70 but a perfect present for an ardent sherry lover.

Pedro Ximenez, with bitter chocolate sorbet, muscavado ice-cream and moscatel raisins macerated in PX brandy
Again a lovely and quite distinctive sherry without the excessive sweetness of many PXs: pure liquid raisin. Possibly the raisins in the dish were therefore superfluous though there was a touch of lemon zest which accentuated the flavour of the sherry nicely. (I also found the combination of black coffee, chocolate sorbet and PX pretty sensational when I sipped my espresso afterwards)

These sherries are only available in limited supply. Only 5000 bottles are made of the fino, for example - and most will go into restaurants like Dehesa and Salt Yard. But if you’re a sherry fanatic you really must try and taste them.

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I attended the tasting and lunch as a guest of Les Caves de Pyrène.

Image by Volker Schoen from Pixabay

Matching wine and charcuterie - an experiment

Matching wine and charcuterie - an experiment

About the most daunting audience that anyone could face is a group of wine writers, especially if a number of those happen to specialise in food and wine matching so it was with some trepidation that I agreed to lead a tasting on wine and charcuterie in London on Monday night on the eve of the London International Wine Fair.

The subject had been suggested not by me but by fellow writer David Furer, who also writes for this site. At first I thought it was limited in scope but the more I considered it the more it appealed. Charcuterie is normally paired with very simple rustic wines, usually French but what if one attempted to match it with wines from outside France? Possibly even fine wines?

There was a precedent for that. I remember an unusual and highly successful pairing of Dom Perignon with jamon iberico which linked the umami taste of both the ham and the wine. Charcuterie is typically salty, often fatty providing a coating for the palate that allows the wine to shine. A sparkling wine breaks up that fat (in much the same way as a beer). Could other fine wines do the same?

Appropriately enough the tasting took place at Terroirs, the recently opened wine bar that has some of the best charcuterie in town. On our plates we had a Spanish ham, Jamon de Teruel, which was quite delicate in flavour (more like an Italian than a Spanish ham), some saucisson sec from the Pyrenees, some duck rillette and the formidable ‘terrine Terroirs’ which was lavishly seasoned with spices and garlic. Typically you would eat them together but would we find a wine that could handle them all?

Here are the wines we tried, why I chose them (although in a number of instances I asked the sponsoring body for a wine of a specific type and wasn’t sure what I was getting) and how they performed. Skip to the end if you simply want to read our conclusions:

Rosé Carte Noire 2008, Maitres Vignerons de St-Tropez
RRP: 9.99 Nicolas
I thought we should kick off with a southern French rosé as a ‘control’. This was darker in colour and more intensely flavoured than many Provençal rosés with some attractive ripe berry fruit on the palate and a long dry finish, nevertheless it struggled with the very punchy terrine. I liked it better than many of my fellow writers but then I spend a lot of time in the south of France. It ‘felt right’.

Assyrtiko Hatzidakis 2007
9-10 Caves de Pyrène, Waitrose
This wine was suggested by Doug Wregg of Caves de Pyrène who writes their highly diverting wine list. His recommendation for the wine: “Normally octopus but would work well (we think) with the fattiness of rillettes or a jambon persillé (like a supercharged Aligoté)” As it turned out it lacked the requisite freshness and zip - a younger vintage might have been better. (The usual Greek pairing, according to Greek wine-writer Ted Lelekas who was present, is seafood and shellfish)

2007 Riesling IDIG Grosses Gewaechs, Weingut Christmann, Pfalz
35 Charles Taylor
I wanted to include a dry German Riesling, Germany having many fine charcuterie products of its own (though probably rather more that are smoked). This was an exceptionally fine example - too fine, most thought for these particular charcuterie products, especially the terrine though the ham proved a particularly sympathetic foil. There was a suggestion that a wine with a touch more sweetness would have worked better. And, I would suggest, one with a few more years maturity. Worth pursuing this route though

Chapel Hill Verdelho 2007
Supplied by: Lindsay May on behalf of Wine Australia
RRP: 9.49 in independents including Planet of the Grapes, Ongar Wines Ltd, Australian Wines Online, Rehills of Jemond, Badmington Wines
Again I wanted to include something from Australia and thought a Verdelho would be an intriguing choice but the zesty limey character of this very attractive example didn’t work with anything but the duck rillettes (actually a fascinating combination). Better to stick to Thai and other south-east Asian influenced dishes. Australian food, in other words.

Lambrusco Reggiano Concerto
RRP: 8-10 Vinum, Everywine, Harrods, Booths
It seemed to me that an authentic red Lambrusco should be ideal for charcuterie - after all Emilia Romagna where it comes from has some wonderful pork products of its own. And for me it hit the spot perfectly. I loved its acidity, its dark bitter cherry fruit and its gentle effervescence but it’s obviously a ‘love it or hate it’ wine. Some didn’t take to it at all, another group agreed that it was one of the best all-rounders. It was particularly good with the rillettes, though some preferred the Marcillac below.

2006 Marcillac, Cuvee Lairis, Jean-Luc Matha
RRP: 9.99 Caves de Pyrène
I thought we should have a rustic French red of the type the French themselves would drink with charcuterie and thought a Marcillac from south-west France, a favourite wine of the Caves de Pyrène crew, would work well. It was actually the only wine that was positively affected by the charcuterie which rounded it out and enhanced its fruitiness. Most thought it performed pretty well overall - best with the saucisson and the rillettes.

Morgon, Côtes du Py, Beaujolais 2007 Domaine Jean Foillard
RRP: Around 16 a bottle from Caves de Pyrène, slurp.co.uk
I’ve always rated Beaujolais with charcuterie, but thought it would be interesting to have one from the band of ‘natural’ winemakers who eschew sulphur and filtration. Although Foillard is highly rated this was possibly not the best example from an unremarkable vintage - it was a bit funky and feral, so failed to completely engage with our troublesome terrine. Good with the saucisson though.

Isabel Estate Pinot Noir 2005
18.55 Berry Brothers & Rudd
I remember being very taken with the idea of a ‘Pigs and Pinot’ festival I read about so thought it would be interesting to see how a top notch New World Pinot Noir from New Zealand fared with our selection. Better than I anticipated was the answer, particularly with the terrine where its lusciously ripe fruit proved the perfect counterpoint to the spicing. It was also pretty good with the rillettes - less so with the saucisson and ham. Possibly a less classy Pinot would have done an equally good job?

Manzanilla La Gitana
RRP 8.49 at Tesco, Waitrose, Sainsbury, Majestic, Somerfield, Wine Rack, plus independents.
Further proof - if proof were needed - that sherry is one of the all time great food wines. This salty manzanilla sailed through the plate taking every component in its stride, just as it would a plate of tapas. I’m not sure a fino wouldn’t have been even better. Worth trying a dry amontillado or palo cortado too which would have probably worked marginally better with the terrine. Most attendees’ favourite overall.

El Grifo Canari Lanzarote 1997
I’d never come across this rare cream sherry-style wine from Lanzarote but happily Spanish specialist John Radford was in the audience to explain its origins. Most agreed it was quite wrong for the charcuterie (far too sweet) but we reckoned it would have been interesting with blue cheese or a crema catalana. (The website recommends it with good company!)

Conclusion
So what should you drink with charcuterie? Well, the manzanilla sherry got the majority vote as the best wine overall, followed closely by the Lambrusco and a little way behind by the Riesling though it was felt that the quality of the latter was diminished by the charcuterie selection.

If you’re a Francophile I reckon you’d probably be inclined to stick to the usual suspects, rustic and fruity reds having the edge on rosé and whites. The Marcillac was good, though I suspect a fruitier cru Beaujolais might have outclassed it (see the links below).

Individual matches that were singled out were individual pairings of the ham, rillettes and terrine with the Riesling, Marcillac with both the saucisson and rillettes, Morgon and saucisson, Verdelho and duck rillettes and the Isabel Estate Pinot Noir and terrine.

The duck rillettes proved particularly wine-friendly - worth considering serving on their own on crostini as a nibble with an aperitif. A flavourful pâté or terrine is probably also better served on its own, rather than as part of a selection if you particularly want the accompanying wine to shine (though take care if you add an accompanying relish or compote). It can also take a wine with a touch of sweetness.

The ones that got away
What else could we have fielded? Well a Champagne or a cava would have been interesting. Someone suggested a dry Chenin like a Savennières and I’d have quite liked to include an Italian red like a Valpolicella or a Teroldego. Plenty of food for thought, anyway.

 

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