Food & Wine Pros

What sommeliers think of customers

What sommeliers think of customers

Following our article from former sommelier Zeren Wilson on how to order from a wine list, another, wine educator and consultant David Furer, turns the tables and asks some of the US’s top sommeliers what the biggest challenges and frustrations are in their job.

David writes: “The responsibilities for sommeliers exceed those of selecting, stocking, and selling wines. Estimating guests’ particularities, peculiarities, and passions requires sensitivities and skills gained from training, knowledge learned with colleagues, and experience earned from both pleasure and duress.

What may seem clearly understood to wine aficionados may be fraught with nuance and complexity to the service professional. Nine skilled US sommeliers shared their thoughts with us, laying out these challenges, difficulties, and successes.”

****************************************************

“ Our chef uses flavors ranging from extremely subtle to robust and intense. I have customers who like subtle dishes based on seafood but insist on pairing them with big Cabernets. I try to steer them toward a white wine or even a lighter red but many times it falls on deaf ears.

Another problem is large tables of eight or more with guests getting dishes running the full spectrum from mild to spicy and every thing in between with the host wanting me to select one wine that not only works with everything but which every guest at the table will enjoy.

However the most critical issue US sommeliers face are customers so rigid in their ways that they won’t listen to a sommelier’s recommendation. I have guests ordering wine off our list because it received a high score from a wine critic only to later be disappointed by it. I try to keep this from happening by asking our guests several questions on what flavor profile they like or what other wines they enjoy.

I recently had a guest ask for high scoring Napa Cabernet. I asked him several questions to determine his preferred flavor profile to which he indicated he liked lighter reds such as Pinot noir. I told him that this particular Cabernet was in fact very big and tannic yet he still wanted it. I tried in vain to talk him out of ordering it, and when I poured him a taste he then rejected the wine!

Ronald Plunkett, Senior Sommelier
Hakkasan, San Francisco

****************************************************

“I think a lot of our challenges in working with consumers lie in two major areas, communication and education. As we begin to discuss wine selections with guests, far too often we find a lack of communication about a number of really important areas creating a challenge in helping a guest select a great wine.

First and foremost is when guests are guarded about their price point. Eventually we will find out what their price point is when they order, so why don’t they just tell us upfront? If a customer wants to spend $40-$60 in a high-end restaurant (where prices can easily climb beyond that), then there’s no point in allowing the sommelier talk about Burgundy. But if a guest would communicate upfront the sommelier could offer three - one at the exact price point, one a little over, and one a little under. Of course, sommeliers can ease this information out by saying “tell me about a wine you have enjoyed recently.”

Another challenge crosses these two issues. Misunderedumacation. When guests possess a working vocabulary of wine and know their likes & dislikes, it can often be more confusing than helpful if that information is being misused. Terms like ‘dry wine’, ‘no oak’, ‘the best’, and ‘no Merlot’ can be misleading if carelessly used. Often these terms are used more as statements of sophistication than actual preferences, and it’s very important for a sommelier to differentiate between these. Guests often throw these terms around with little to know understanding of their meanings, leaving sommeliers to try and work out what they mean.

Christopher P. Bates MS, Owner & Winemaker
Element Winery, New York

****************************************************

“Working with difficult guests is when you can get to really shine, exceed expectations, and make long-term fans both of a specific wine and the restaurant. Here goes...

The guest who fears the sommelier:

One of the major categories of wine consumers are those who fear the process of choosing a wine off a menu - and for good reason. That is why a friendly, humble, and helpful sommelier is required in restaurants that hope to sell a good percentage of wine as its total sales.

A guest who would like and is in need of guidance but is fearful of asking for help or being open to it can instead be one whose eyes scan for the grape variety and then quickly over to the price as their only decision process. It’s akin to playing safe with a choice of dish and just going with chicken.

The challenge is spotting these guests and making the effort to break down this barrier and gain or re-gain their trust. It requires more time at the table along with casually-offered samples and an added dose of ‘getting to know you’.

These are the type of guests that also really enjoy the personal stories behind the wine and the producer. This is the challenge I enjoy the most as I always reserve great wines that offer far more than their price would suggest to exceed guests’ expectations.

The next time they are in my restaurant they won’t hesitate to ask for the ‘wine guy’ they met last visit so they can try something that they will love.

The overly confident name dropper:

High check-average restaurants serve a high flow of diners who see the sommelier as a chance to name-drop wine producers and re-confirm their opinions and buying choices. This is an easy sell as ‘name droppers’ are asking for the known, high-priced bottles as a way to impress others at their table and they often like to have the sommelier support their choice.

The challenge here is that they are buying for the table and far too often they go with one big bold selection for the evening no matter what the other guests may be ordering for dinner.

I love these guests as they’re are willing to spend a lot, but at no point do you want to seem that you’re second-guessing their choices. But you want to ensure everyone at the table is enjoying their experience as well, so the best way to win is may be to join them.

I often name-drop some wines to them such as “if you like wine X, then have you tried this wine Y which is where they source their grapes from or where the winemaker of wine X used to work at wine Y,” etc.

By doing this I’m supporting their choice while giving myself the chance to direct them to an additional bottle for the table that may offer a more appropriate wine option for the other diners’ main courses.

Don’t let the meeting planner order the wine:

Far too often the meeting planner is the secretary or someone else who got plucked into the role of organizing dinners for their bosses. They often have a lot of other things to contend with, thus taking the time to choose appropriate wines doesn’t happen.

A sommelier who is pro-active needs to find the time to follow up on booked parties and attempt to get hold of the planner and talk about wine. Getting proper selections pre-set can help separate your restaurant from your competition by adding a perceived added value and service.

Brian Phillips, Manager/Sommelier
Eddie V’s, Austin

****************************************************

“One of my more memorable experiences was when a guest asked me for a recommendation to go with his pâté de campagne. My suggestion was a basic red Burgundy, to which he responded, “I want a pinot noir. I don’t like red Burgundy, it’s made out of dried mixed red grapes.”

After a quick squint of confusion I quickly covered with a smile, explaining to him that his desire for a pinot noir was correct because almost all red Burgundies were actually 100% pinot noir. After insisting he try our Louis Jadot Bourgogne rouge then form his own opinion, I asked him where he had heard this information and apparently, “that’s what the label on the Carlo Rossi Red Burgundy says.”

In my opinion, the main issue US sommeliers face currently is assessing the guest’s interest and capacity. Most US natives still aren’t raised drinking wine, as is common practice in Europe where people have greater access to European wines and the countries which produce them and have, for the most part, more established wine laws providing a better idea of wines’ typicity. In the US the wine industry is younger, the wine laws less restrictive, and the profession of sommelier just relatively new. Guests are not always privy to any knowledge of wines beyond those mass-produced for sale in their grocery stores.

Balancing coming off too much as a know-it-all in a supposedly sophisticated setting is a game we play in order to make our wine sales interesting while maximizing our full potential. In a small window of interaction we must get a general idea of the guest’s knowledge, their interest in trying something adventurous, yet be able to educate or steer them in the right direction without coming off as pretentious.

Properly assessing the guest’s wants and needs, while also being hospitable, is of the utmost importance. I believe some sommeliers lose sight of hospitality in the whole transaction. If what someone is asking for is technically wrong (i.e. “I want a sweet, buttery California Chardonnay that’s light in body”), asking the right questions, being persuasive, and making the whole picture come together is a sommelier’s challenge as well as their job.”

Jennifer Estevez, Club Level Bartender
RN74, San Francisco

****************************************************

“As dining becomes more casual, sommeliers need to remember the basic tenets of proper wine service: decanting, proper opening of wines and training of all front of the house staff.

With the advent of social media and the massive amount of information available online, customers are more informed than ever. This raises the bar for sommeliers to keep our wine programs diverse, interesting, and dynamic.

Another key issue facing sommeliers is to keep proper balance between esoteric wines we may find interesting but still offer a selection of classic wines that are more familiar to a general audience.”

Alpana Singh, Proprietress and Master Sommelier
The Boarding House, Chicago (See photo at top of post © Jeff Schear Visuals)

****************************************************

“I find it an uphill battle winning the guest over to sommeliers being there to assist them regardless of whether they want to spend $15 on a glass or $5000 on a DRC. There was a long-standing stigma that the sommelier was going to ‘sell’ you something wildly out of your price range or that they were just trying to get rid of; the best way to respond is to be polite and courteous but also fun and relaxed.Wine is FUN, and people should be there enjoying it, not stressing out about it!

The US market, though incredibly diversified in the sprawling metropolitan areas, drinks what it knows and recognizes. California makes it pretty easy for them by labeling bottles with the grapes they will find within said bottle. I find it fun and challenging to take your average California wine lover and turn them onto a Pauillac in ripe vintages like 2000 and 2005--even the upcoming 08’s and 09’s. Alternately it’s fun to bring them to Jumilla or the southern Rhone for some bright, fruit rich blends.

A third issue that US sommeliers deal with is the ‘know it all’ guest, particularly true for anyone living in a wine-growing area. I often hear “oh, we’ll find something” or “‘so and so’ is from France” or “no, I know what I’m looking for, I lived in California for ten years…”, while that French person grew up in Paris and spent about as much time in the vineyards as has your 10-year old niece and the California native who spent ten years in Hollywood - not Napa Valley. Even if you did grow up in a wine region it does not mean you know the list for the restaurant you are in. If you listen to the guest and their stories, generally they will listen to what you recommend even if they do end up choosing what they know.

Wine online and in stores will not be the same price as in a restaurant. I do make a point of sourcing and finding allocated wines and small production wines that are not readily available (in all price points) as alternatives ideas for the guest to enjoy. This way it gives them something new and different and also a challenge to find it on line...at any price.”

Crystl Faye Horton-Friedman, Sommelier
Del Frisco’s NYC Steakhouse, NYC

****************************************************

“As a Master Sommelier I have found that it is crucial to understand that we are dealing with a new generation of wine drinkers. Today wine lovers have more exposure to wines from all over the world with media, apps, and technology making the introduction to wine regions more easily obtained. Our customers at The Breakers have a very adventurous palate and they expect us to be well-versed when they ask us questions. Mostly they enjoy having a conversation about their last trip and the wines that they enjoyed.

A critical issue is when our customers ask me to recommend the best wine from our 1620-selection list. I have several favorite wines that I can suggest, however I have to keep in mind that I need to recommend the best wine for my customers. I have to ‘read’ the guest and ask questions in order to find the perfect wine selection. They might be celebrating a special occasion, so perhaps champagne could be a great option. They might prefer the perfect wine for their entrée where a full-bodied red could be the best choice.

I have found occasions when our customers think that they have the right answer even when they are wrong. How to approach this situation without embarrassing them in front of their guests is a challenge--I try to be polite and explain that they can be right but I always express the correct answer as my suggestion.”

Juan Gomez MS, Sommelier - The Breakers, Palm Beach

****************************************************

“US wine culture is very young compared to the old world, but one of the reasons it has developed is because wine has been made accessible to anyone. I believe that one of the challenges we face when working with guests is the misconception that a sommelier’s goal is to make the patron spend money. That is a fallacy!

A sommelier is a hospitality industry professional, we are here to fulfill to the guest’s needs. A wine list is a somm’s child, there is no one better to guide the patron through it than the person who brought it together: the sommelier, and I am here to help! Ask me questions, let me point you in the right direction - trust me. Sometimes, I feel sorry for guests going through the pages, label by label, looking for the least expensive bottle of wine. Those ten minutes could have been ten seconds if they would’ve have let me help. This is hospitality; what makes you happy, makes me happy.”

James Jusseaume, Sommelier - David Burke Kitchen, NYC

****************************************************

“I have been at Charlie Palmer Steak for over 10 years have noticed many changing treads in consumer tastes.

One negative trend that I have been happy to see disappear is the dependence and emphasis on choosing wines based on the 100-point system. When we opened in 2003, guests would often come in with the recent Wine Spectator or Robert Parker, cross-referencing it with the wine list. Customers are less interested in the score of a wine and more on the style of the wine; they care about profile and value no matter the price point. As diners have become less focused on scores, it has become less difficult to sell wines which aren’t traditional such as a world-class English sparkling wine or an elegant Pinot noir from Sonoma Coast.

I’ve had complaints from some long-term guests about the dramatic cost increase of certain items which seemingly occur overnight caused by, in my opinion, pressures exerted by demands upon supplies of super-premium wines made by emerging wine markets. Customers just chuckle at $350 for a 2-oz. glass of wine, and they pass on it. But then I usually get them to try something new, and that builds trust.

How the customer purchases wines has also changed. The explosion of online brokers, auction sites, Costco, direct shipping, and even our local supermarkets have expanded wine selections making the customary mark-up on wine in restaurants more transparent. I’ve always focused on smaller, family-owned wines, selections that are not available everywhere.

It’s great to see so many more women in our field relegating to history the stereotype of a sommelier being a stuffy white male, looking down his nose at the customer, passing his tastevin to scoff at your selection. I am, however, a little concerned that here in the US the pendulum might be swinging a bit too far the other way. The growing image is of an early 20s, ‘hipster’ white male with orange socks, at least one tattoo, and a bit too much hair product. That said, it’s one of the best jobs in the world with room for all types. The possibilities are endless…even a ‘food truck sommelier’ sounds good to me!

Nadine Brown, Sommelier, Charlie Palmer’s Steak House, Washington DC

To see the restaurant experience from the consumer’s point of view read Zeren Wilson’s How to Handle a Wine List: 10 questions you’ve always wanted answered.

Main image credit: Matteo Orlandi from Pixabay

Cheese and cider matching revisited

Cheese and cider matching revisited

When you think how well apples go with cheese it’s amazing that cider isn’t the automatic go-to for a cheese board but as we discovered at Cheese School, some work better than others with particular styles of cheese.

The theme of the event, which was held at Birch restaurant as part of the Bristol Food Connections festival, was to explore the differences between unpasteurised and pasteurised cheese but we thought it was also a good opportunity to re-taste some of the farmhouse ciders that had been featured at the Cider and Sausage festival the previous weekend.

As Dan Saladino of the BBC’s Food Programme was recording the event I won’t say too much about how the cheeses went down (fascinating) but thought you’d like to know a bit about the pairings and the crackers we matched the cheeses with, which came from the Fine Cheese Company. (Oh yes, there is an art to cracker matching ;-))

Dry ciders or perry with goat cheeses

The first round was two Ragstone goats cheeses from Charlie Westhead of Neal’s Yard Creamery in Herefordshire with which I paired Tom Oliver’s delicate traditional medium dry perry (pear cider) from the same county. Perry is often compared to a white wine in its effect on food and so it proved. You can just as easily pair a perry with goats cheese as a sauvignon blanc.

Cracker pairing: Rosemary or chive crackers

Dry to medium ciders with mild English territorial cheeses such as caerphilly

The next round was two caerphillies - a Gorwydd Caerphilly and a pasteurised Caws Cenarth. I think the perry would also have worked here too or a dry cider but I went with two medium ciders I’d tasted: Copse House from Dorset (I think the Landshire medium) which was clear, fresh and appley (well, it would be, wouldn’t it?) and the slightly sweeter Blindfold from Blaengawney cider which I discovered is actually made in Caerphilly in South Wales. Both were 6%. Medium farmhouse ciders are generally quite a bit less sweet than ones made by larger, more commercial producers so neither was too cloying.

Cracker pairing: Bath Ovals (the FCC’s version of Bath Olivers)

Medium dry to medium ciders with cheddar

Our two cheddars - a Montgomery and a pasteurised Fordham Farm - were both quite full-bodied so needed a slightly fuller, richer-tasting cider. I lined up another Welsh cider from Apple County in Monmouthshire - again, I’m not sure which one as it came from an unmarked container - and the slightly tarter Harry’s single varietal Dabinett which was particularly good with the Montgomery. (Again both come from the same county, Somerset, but at 4.5% the Harrys Dabinett was slightly lower in alcohol than the previous ciders).

Cracker pairing: Oatcakes

Medium sweet ciders with blue cheeses

Then finally two blues - a Cropwell Bishop Stilton and a Stichelton (effectively an unpasteurised Stilton) with I matched with two sweeter ciders to mimic the effect of a fortified wine: Hecks medium sweet Port wine of Glastonbury and Millwhite’s Rum Cask which, as the name suggests, is matured in rum casks. Both come from Somerset.

Cracker pairing: Cherry, almond and linseed toast

After the tasting we sat down to a cider and pie lunch - a Gorwydd caerphilly, potato and onion pie baked by Sam Leach of Birch - and drank Sam and Becky’s own homemade unpasteurised cider. And with the copious leftovers we cracked open a 2013 Dunkertons Organic Vintage cider (7.5%) which also matched it perfectly. Cider is a great pairing for traditional British cooked cheese dishes like pies and pasties (though not for a lasagne, I’d venture)

Matching artisan cheese is a tricky enterprise because every cheese is different and many ciders are too depending whether they’re bottled or in cask but I think if you stuck to these broad styles you should enjoy the results. The combination of perry and goats cheese and sweeter ciders with blue cheeses was particularly successful. With milder pasteurised cheeses you’ll find you don’t need such strong, characterful ciders.

Many thanks to Birch for hosting the event, The Fine Cheese Company for donating the cheese and crackers, and Bristol Cider shop for supplying the ciders. They won’t have all these in stock but have a regularly changing selection sourced from within a 50 mile radius of Bristol.

For more information about Cheese School keep an eye on cheeseschool.co.uk or follow @cheeseschool on Twitter.

Main image credit: Jenny Bayon

The best food matches for Amarone

The best food matches for Amarone

A recent lunch* and discussion hosted by Masi at Heston Blumenthal’s Dinner gave a revealing glimpse of what the best food pairings for amarone might be.

It also highlighted - as with many wines - that there is more than one style. It was fascinating how the Masi range had evolved from the 1990s to the present day - the most recent vintages seeming lighter and more elegant than the traditional robust style. ‘Light’ might seem an odd word to use in conjunction with a 15% plus wine but it’s a question of balance or how it feels in the mouth. Today’s amarone - well Masi’s at any rate - wears its alcohol lightly - a deliberate move, it seems, to bring it more in tune with contemporary, particularly Asian cuisine. And it’s not a tannic wine.

Of course there’s amarone and amarone. According to Sandro Boscaini, over 50% of amarone is now produced by co-ops creating a downward pressure on prices that is worrying for traditional producers like Masi who still use the expensive, time-consuming technique of drying grapes on bamboo mats (many other producers now use plastic and dry the grapes for a much shorter time).

Some of the more traditional food pairings obviously date from a time when amarone was considerably cheaper than it is now. They include, according to the recently published Amarone by Kate Singleton*, rustic stews - some made with amarone, sweet-tasting meats like horsemeat and strong cheeses.

And Boscaini’s favourite pairing? “Take a bite-sized fragment of parmesan cheese and a teaspoon of acacia honey, pop them both in your mouth, and chew them to savour the taste then take a sip of amarone and enjoy the resulting harmonies.”

See also The best food pairings for amarone

Fish is not normally suggested as a pairing for amarone but, according to Singleton’s book, sommelier Kazuo Naito recommends it with anago con nitsume, stewed eel cooked in a sweet soy sauce with some wasabi to refresh the palate. In fact it seems to be the soy sauce that’s the key. Naito also recommends it with chicken teriyaki and spiced chicken livers in soy sauce.

See also this account of a meal in Verona with Bertani.

* This book is sponsored by Masi. I also ate at Dinner as their guest. This lunch took place in 2013

What to eat with Cloudy Bay

What to eat with Cloudy Bay

For most people the New Zealand winery Cloudy Bay is synonymous with sauvignon blanc but their range now extends to sparkling, sweet and red wines, a message underlined by a dinner at Hix Mayfair (in Brown’s Hotel) the other day.

Hix’s style - like that of St John - is minimalist: carefully sourced ingredients cooked as simply as possible. In fact a couple of his suppliers were at the table including the ebullient Peter Hannan of the Meat Merchant whose whose fantastic guanciale I tried the other day.

Cloudy Bay’s wines, on the other hand are generous and full of personality - classically ‘new world’. How would the two get on?

The best matches ironically were not with sauvignon but with pinot of which they now have two - one from their home territory of Marlborough, the other from Central Otago.

The more delicate Marlborough one - a 2012 - was paired with a rib of Peter Hannan’s superb bacon with Bramley apple sauce and the more robust 2011 Te Wahi with two courses: a Glenarm Estate steak with Hampshire ‘pennybuns’ (ceps) with parsley and a washed rind cheese called Guernsey Goddess made by Alex James (of Blur fame) from Guernsey milk and washed in Somerset Cider Brandy. That was the biggest surprise because although the cheese wasn’t particularly ‘stinky’ it was very rich and creamy but was a fantastic match with the sweet-fruited pinot.

The better known sauvignon - now on the 2014 vintage - kicked off the dinner with a threesome of oysters (I like the way Hix avoids the word ‘trio’) - some natives, rocks with cucumber green chilli and shallots and some deep-fried rocks served with a rich bearnaise-y style mayo (at his Fish and Oyster House in Dorset he serves a ransom mayonnaise but as ransoms aren’t in season I’m guessing he used herbs). That was the best match of the three but the natives were somewhat overwhelmed by the wine and the oysters with rocks and chilli not quite as good a match as you’d expect. (I think it needed more Asian-style seasoning which isn’t really Hix)

The next course of Wye Valley asparagus (a second, late harvest) and purslane salad was spot on though. There’s more going on than just asparagus flavours in the Cloudy Bay Sauvignon but enough to link to the dish - an explosion of green herbal flavours that was just delicious.

The course I didn’t think quite worked was a steamed fillet of St Mary’s Bay turbot (below) with sea beet and rape-seed oil where the fish was ironically so fresh it threw the accompanying 2013 Cloudy Bay chardonnay out of kilter, emphasising its oak rather than its creaminess. I think an older vintage or a light butter sauce of some kind - or even melted butter (better than rapeseed oil with this wine) - would have made it work.

And the luscious 2007 Late Harvest riesling wasn’t done any huge flavours by the Peruvian Gold chocolate mousse. Given Hix uses British ingredients it would have been better with something apple-based.

So great food, great wine but only a limited number of great matches in my opinion. It’s a problem with wine dinners. Restaurants don’t have the time or staff resources to tweak or change their dishes to match the wines and its hard taking wines out of their natural register - in Cloudy Bay’s case, the big flavours of Asian-accented New Zealand food. That doesn’t mean of course you shouldn’t do it. A preliminary run-through tends to highlight any problems.

I attended the dinner as a guest of Cloudy Bay.

Image credit: Matt Boulton, CC BY-SA 2.0

Can synaesthesia enhance our ability to appreciate wine?

Can synaesthesia enhance our ability to appreciate wine?

Author (and self-proclaimed shopkeeper) Sally Butcher of Persepolis asks whether Grenache rosé reminds you of patchouli and Malbec of Beethoven. And are we missing out if we’re not fellow synaesthetes?

“Ever since I read Keats’ Ode to a Nightingale as a moody adolescent (believe it) I’ve been obsessed with the idea of food as a gateway:

O, for a draught of vintage! that hath been
Cool’d a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene...

Agreed, wine has its own special ability to ‘transport’ the consumer, but the sensuousness of the lines perfectly conveys the power that taste has over the imagination and memory. We all have those seminal meal moments which remain key in our stock of food experience, and it can take but a whiff of this or a few bars of that song to transport us back to that time/place.

For some however flavour and aroma are far more deeply and habitually intertwined – and not just with each other. With sounds and sensations of touch and with the sight of a particular image, word or symbol. These people will regularly see dates and days of the week as colours, or associate smells with names, or hear music as a particular taste in their mouth. They are known as synaesthetes (derived from the two Greek words which mean ‘a coming together of the senses’: see? I can do erudite too).

The first time I came across the condition known as synaesthesia I was nose down in a bonkers-but-gripping thriller by the inimitable Dean Koontz*. Because most of our general knowledge these days comes from reading too much pulp fiction, yes . . . ?

Anyway, the concept did not seem nearly as strange to me as it should have done, because I suspect that I am a borderline synaesthete myself. As a child I can remember associating the taste/smell of singed toast with the name ‘James’, and citrus fruity sensations with the name ‘Henrietta’.... It goes on, but enough of that. I just assumed it was normal.

The thing is... studies suggest that we are all pretty much born with the ability to bring the senses together, and it is only as we mature that we ‘learn’ to differentiate (yes: I have read a book on the subject – a rather excellent one called “Wednesday is Indigo Blue” by Richard E. Cytowic and David M. Eagleman). Some of us however don’t bother to mature and retain the ability to experience a delightfully mixed array of sensations, not all of which can be easily put into words.

Right, so back to food, and wine. Well, if you go to Vinopolis (or any other wine theme park), they give you a fleeting impression of the synaesthetic pleasures to be had from wine by getting you to inhale two or three aromas (herbs, flowers, spice) and then sup at a wine which comprises all of those components. It is astonishing how the different smells combine into one flavour. Obviously everybody is different, but if you take this one step further, into everyday life, the experience is often replicated. You just have to be aware of the possibilities.

The gustatory and the olfactory are the most closely linked of faculties, and wine is heady stuff, rolling around your nasal cavity before hitting your tongue, so it is (in my very amateurish opinion) the single most likely substance to trigger synaesthetic experience.

But this coming together of sensual experience is everywhere: a slight breeze combined with the aroma of coffee can taste like almonds, feel like cat fur and sound like rai music; the smell of fresh coriander is blue and twangs like country and western; Wagner is a yellowy/orange and tastes of burnt toffee....

I’m not a scientist, nor am I an oenologist: hell, I’m just a shopkeeper. But. This should have interesting implications for the wine aficionado (or anyone who tastes and pairs anything for a living). Obviously everybody’s perceptions vary, but by way of example....

Most recently I found that a glass of Grenache rosé came together with some patchouli bath oil and soared to the sound of Vaughan Williams’ Fantasia on a Theme by Thomas Tallis: they were all at one and the same pitch and offered the same (rather lovely, sadly fleeting) bath-time sensation. Previously I have noted that Malbec and (the smell of) ylang ylang and (much of) Beethoven all taste the same.

I am not suggesting that sommeliers ought to sample new wines in the bath with the radio on – merely that they should be aware that there is rather more to the effect of wine than whether it tastes of gooseberries and its percentage proof. Wine and food should be paired with consideration for all the senses.

It is of course quite conceivable that the greatest wine experts are in fact all closet synaesthetes, and I’m just ‘chattin’ shit’ (as my step-children are wont to say).

In conclusion I would urge: listen to your chocolate some more, feel your wine and inhale the soundtrack of your life.

And I’d be really interested to hear your experiences of this, especially in the foody/drinky sphere. Because we’ve all got a bit of the synaesthete inside us somewhere.

*It’s called Intensity – and I highly recommend it.

Sally Butcher is the author of the cookbooks Persia in Peckham and Veggiestan (both of which I can highly recommend FB) and runs the shop and online business Persepolis together with her husband, The Shopkeeper. For more about synaesthetics check out the UK Synaesthesia Society

Image of burnt toast by fkruger - Fotolia.com

Image of shadow poppies by Ralf Kunze 

 

About FionaAbout FionaAbout Matching Food & WineAbout Matching Food & WineWork with meWork with me
Loading