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What to match with the world's best Bordeaux-style reds
The Bordeaux wine region produces a multitude of top class red wines that these days tend to be blends of four main grape varieties, Cabernet Sauvignon, Merlot, Cabernet Franc and Petit Verdot.
Typically top quality Châteaux in the Médoc are 70% Cabernet Sauvignon, 15% Cabernet Franc and 15% Merlot whilst in St-Emilion and Pomerol, Merlot and/or Cabernet Franc tend to predominate in the blend. As it happens my favorite Médoc and Pomerol are atypical: Château Pichon Longueville Comtesse de Lalande often has over 35% Merlot whilst Vieux Château Certan can have as much as 30 % Cabernet Franc/10% Cabernet Sauvignon.
Winemakers in the New World and Tuscany have replicated this formula and created successful blends in their respective areas – in the US often labelled Meritage. Wines like Ridge Monte Bello, Pahlmeyer Napa Valley Proprietary Red in California and Super Tuscans like Sassicaia and Ornellaia are examples of world class “Bordeaux Blends” not made in Bordeaux. I therefore treat the aforementioned wines in the same way as the Bordeaux equivalents.
I tend to side with the view that the top classed growths in Bordeaux and the New World equivalents will on average require 10 years minimum age whilst the best Cru Bourgeois and second wines 5–7 years. Having recently drunk some 1961, 1982 and 1985 First and Super Second growths, what is clear is that you need patience to experience the best of the best.
Because of the variety in blends and effects of bottle ageing matching food to red Bordeaux offers considerable scope, ranging from classic robust beef, game and lamb roasts or stews right through to cheeses like Camembert, Brie and Roquefort. I have also had a very good dish of monkfish both cooked with and accompanied with red Bordeaux.
Some specific great recent matches include Ridge Monte Bello 1999 with a superb Côte de Boeuf cooked by Racine, Chef Patron, Henry Harris and Château Pichon Longueville Comtesse de Lalande 1982 with roast Pauillac Lamb (Blanche du Massif Central) at a private dinner party in Bordeaux.
When entertaining at home, I often follow a main course with cheese as this gives you the possibility of selecting a wine with the main course that will carry you through to the cheese. Stronger cheeses tend to work well with the tannins in these type of wines. A cheese like Roquefort also works well with Sauternes so both cheese and wine can lead you on to dessert. When matching food and wine transitions should in my opinion be factored in, and to this end red Bordeaux can be an excellent solution for the central part of your meal covering at least two courses.
Personally I find that Roquefort works better with a well aged red Bordeaux than say a sweet dessert wine, simply because the dryness and the tannins enhance the taste of this cheese which would probably be the last savoury experience before moving on to dessert. I prefer the linear, savory to sweet eating trajectory especially with European cuisines like French, Italian and Spanish. Therefore I more likely to drink a white Alsatian with foie gras and red Bordeaux with Roquefort than Sauternes.
With this quality of wine and winemaking the key is the assemblage which is more important than the individual grape varieties. The wines are complex and subtle and therefore matching needs to be geared to food that enhances the wine drinking experience and visa versa.
You can read more about Dino's gastronomic adventures on his blog The Epicurean.
Image credit: Matthew Hintz

What to eat with old Côte Rôtie
An irresistible dinner invitation came my way a few weeks ago, to attend a game dinner and tasting of René Rostaing’s Côte Rôties at Emanuel College, Cambridge. Cambridge colleges are famous for their wine cellars but these wines came from the personal wine cellar of its ‘wine steward’ Dr Jonathan Aldred, the fortunate fellow (in both senses of the word) who buys all the wine for the college.
Rostaing is regarded as a modernist in Côte Rôtie but most of these wines dated from the 1990’s before he was using such cutting edge equipment as rotary fermenters. The tasting was based on the outstanding ‘91’s with younger or, in the case of the La Landonnes, an older vintage for comparison. The outstanding wines in my view were his 1991 Côte Rôtie and the 1990 La Landonne which marginally shaded it over the ‘91. The Côte Blondes were a slight disappointment, the first ‘91 being slightly dirty. (The second was much better but not in the class of the La Landonnes)
Dinner was served in the ante-room to the gallery, a splendid crimson-painted room overlooking the courtayard of this 400+ year old college (founded in 1584) It was not a meal for the faint-hearted. It started conventionally enough with a large slab of rich game pat (very good with the ‘91 Côte Rôtie) then went on to an innocuous sounding venison ‘duo’, an exotically dark dish of venison liver and what tasted like braised haunch but which the chef later revealed had been heart. I didn’t have a chance to quiz the chef but I think the sauce was almost certainly made with blood lièvre à la royale style. The Blondes survived intact.
The main course was woodcook, served the traditional way with its entrails, another intensely gamey note that really set off the La Landonnes to perfection. They also matched well with the cheese - sensibly limited by Dr Aldred to three plain hard cheeses, a Beaufort, a Comté and a Gruyère.
The dessert wine was Austrian rather than French: a really lovely Beerenauslese, the 2003 Samling 88 from Helmut Lang, which Aldred had picked to go with a dessert of crêpes suzette (fortunately neither too orangey nor too syrupy otherwise it might well have overwhelmed the wine).
Dinner certainly highlighted even mature Côte Rôtie’s power in being able to stand up to such strong-flavoured game dishes - and also its longevity. The colour on all the wines had remained amazingly intense.
Dinner was jointly organised by Cambridge Wine Merchants who have three shops in the city and organise regular events and tastings.
Image by BlueBreezeWiki - Own work, CC BY-SA 3.0
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