Entertaining

How about having a New Year's Eve beer dinner for a change?
If you haven’t already made your plans for New Year’s Eve why not invite over a few friends and treat them to a beer dinner instead of one based on wine? It’s a great way to open their eyes to the great range of artisanal beers that are now available.
This suggested menu comes An Appetite for Ale, the award-winning book that my son Will and I wrote a few years ago.. Do dip into it for other beer-friendly recipes and pairings.
French-style chicken liver paté with cognac
Well, not a lot of cognac, if truth be told but it just gives the recipe that extra pzazz. I like the French way of making chicken liver paté better than the Italian way - it’s more mellow with beerServes 4-6 (you could also add some other charcuterie if you like)
225g fresh, free range chicken livers
100g butter at room temperature + an extra 25g for the topping
1 medium onion, peeled and finely chopped
1 large clove of garlic, peeled and finely chopped
4 fresh bayleaves
A couple of sprigs of thyme
1 tbsp cognac or other brandy
Salt, freshly ground black pepper and a pinch of allspice
A few coloured or black peppercorns for decoration (optional)
Pick through the chicken livers cutting away any bits of sinew or greenish patches and cut them into cubes. Heat 25g of the butter in a saucepan, add the chopped onion and garlic and cook gently for about 5 minutes until they are soft. Add one of the bayleaves, the thyme and the chicken livers, turn up the heat and fry, stirring for about 3 minutes until the chicken livers are browned on all sides.
Take the pan off the heat and cool. Remove the bayleaf and thyme and tip the livers, onion and garlic into a food processor. Whizz until smooth then add another 75g of butter, cut into cubes and whizz again. Season with salt, pepper and a pinch of allspice, add the brandy and whizz a final time.
Spoon the mixture into a small pot and smooth over the surface. Heat the remaining butter gently and spoon off the milky layer that rises to the surface. Pour the clear butter over the surface of the paté and decorate with the remaining bay leaves and peppercorns, if using.
Transfer the paté to the fridge for at least a couple of hours then return to room temperature before serving with plain or melba toast (thick slices of bread, toasted then cut in half horizontally and the exposed sides grilled to create deliciously thin, crispy toast)
Suggested beer match: This is a very beer-friendly recipe but goes particularly well with strong pale ales like Anchor Liberty and American IPAs. Try it with a Belgian tripel too
Carbonnade of beef with Orval
One of the striking things about cooking with beer is that you can afford to use your best bottles to cook with. This is based on a recipe in the splendid Everyone Eats Well in Belgium Cookbook by Ruth Van Waerebeek. Like most stews it tastes even better if made a day ahead and reheatedServes 6
1.25kg leg of beef
3 tbsp plain flour, seasoned with salt and pepper
3-4 tbsp sunflower or vegetable oil
25g butter
450g onions, peeled and sliced
1 tsp finely chopped fresh thyme or a pinch of dried thyme
1 bayleaf
250ml beef stock
330ml Orval or other dark Trappist beer
1 tbsp demerara or brown sugar
1 tbsp cider vinegar
Salt and freshly ground black pepper
Remove any excess (but not all) fat and connective tissue from the meat, pat dry and cut into generous cubes. Put the flour in a shallow dish and season with salt and pepper. Toss the meat in the flour, shaking off any excess.
Heat 2 tbsp of the oil in a large frying pan and fry the meat in batches until well browned, transferring it to a casserole as you finish each batch. Add extra oil if needed. Once the meat is browned melt the butter in the pan, add the onions, stir well and cook over a moderate heat until beginning to brown (about 10 minutes). Stir in the thyme and bayleaf, tip the onions onto the meat and stir well. Add the beef stock and Orval to the casserole, stir, bring to the boil then half cover the pan and simmer very slowly for about 2 1/2 hours until the meat is completely tender. Stir in the sugar and vinegar and cook for another 5 minutes. Season to taste with salt and black pepper and serve with baked or boiled potatoes.
Suggested beer match: Orval is the obvious choice but any dark trappist ale would do.

Bakewell tart
It stands to reason that raspberry flavoured beer should go with a dessert made with almonds and raspberries. But just how well you wouldn’t believe.Serves 6
110g unsalted butter
3 large free-range eggs
110g caster sugar
100g ground almonds
2 level tbsp plain flour, sifted
1 level tsp almond essence
6-7 tbsp soft set raspberry jam
225g fresh or frozen raspberries
25g flaked almonds
For the pastry
250g plain flour
2 tbsp icing sugar
125g chilled butter
1 large egg yolk (+ the white, lightly beaten)
Pinch of salt
You will need a deep flan tin 23-25cm wide
First make the pastry. Sift the flour and icing sugar into a large bowl. Cut the butter into small cubes, cut the butter into the flour then rub lightly with your fingertips until the mixture is the consistency of coarse breadcrumbs. Mix the egg yolk with 2 tbsp ice cold water, add to the pastry mix, mix lightly and pull together into a ball, adding extra water if needed. Shape into a flat disc and refrigerate for at least half an hour. (You can also, of course make this in a food processor).
Roll out the pastry into a circle large enough to fit the tin with a bit of overlap. Carefully lower the pastry into the tin, pressing it lightly into the sides and cut off the excess pastry round the edges. Prick the base lightly and chill the pastry case for 10-15 minutes while you preheat the oven to 200C/400F/Gas 6. Line the pastry case with foil and bake for 10-12 minutes then remove the foil and brush the base of the pastry case with the reserved egg white. Return to the oven for another 3-4 minutes then set aside for a couple of minutes while you make the filling.
Slowly melt the butter in a small saucepan. Whisk or beat the eggs with the sugar until light and frothy then add the ground almonds, sifted flour, almond essence and melted butter. Spoon the jam onto the base of the tart and spread evenly. Scatter over the raspberries in an even layer then pour over the topping. Bake at 190°C/375°F/Gas 5 for about 40 minutes until risen and nicely browned, scattering the almonds over the surface 5 minutes before the end of the cooking time. Serve warm with double cream.
Suggested beer match: My dream beer with this would be New Glarus Raspberry Tart from Wisconsin but any raspberry beer would do nicely
If you're more into wine try this New Year's Eve dinner for wine lovers or, if you looking for inspiration Five Easy Ways to Impress your Friends and Family this New Year's Eve.

How to make a perfect G & T
In case it's escaped your notice today is International Gin and Tonic Day - a rather bizarre notion but then every food and drink seems to have its own day these days. However it does provide an excuse to re-run this article on how to make the perfect gin and tonic, under the guidance of the great Salvatore Calabrese:
"Salvatore Calabrese puts two ice cubes in a tumbler, pours over half a measure of gin, adds a dash of tonic and gives it a stir. “Try that”, he says. I take a tentative sip. “Right, that’s NOT the way to make a gin and tonic. It’s too warm and too oily. Because there isn’t enough ice it dilutes the drink. Now here’s what you should do . . .”
He fills a tall glass full of ice cubes - I count about 8. Twice the amount of gin goes in - a full 50ml measure. He tops it up with a small, freshly-opened can of tonic right up to the rim, drops in a half slice of lemon, stirs and offers it to me again. It’s just gorgeous. Cold, citrussy, fragrant, refreshing. “THAT’S what a gin and tonic should taste like.” London’s most legendary barman allows a small smile of satisfaction to pass his lips.
I have come to pick Salvatore’s brains on the subject of gin in his eponymous bar at the exclusive Fifty club in Mayfair (he's now at the members' only Salvatore's at the Playboy Club at 14 Park Lane FB). It is, he says, the first bottle he would pick for any home bar. “You simply can’t make cocktails without it.” So how do you know which to choose I ask, eyeing the large selection behind the bar.
For a barman it’s a question of the type of cocktail you’re going to make, Salvatore explains. “Many barman would use Beefeater or Bombay Sapphire for a G & T and a more powerful gin like Tanqueray for a classic dry martini. But at home you should simply choose the brand you enjoy most.”
The quality of the other ingredients are important too. For a gin and tonic for instance the tonic should be standard not slimline and - most important - freshly opened. The ice should be made with still mineral water. Lemon is preferable for the garnish even though some producers recommend lime. “A wedge gives more of the essence of the skin but a slice is more elegant” says Salvatore who has obviously given a great deal of thought to such matters.
As one of Britain’s oldest spirits gin has had its ups and downs. Brought to England in the early 17th century by the Dutch who were the first to flavour a spirit with juniper, by the 18th century gin drinking had become a virtual epidemic. “By 1730 in London alone there were over 7000 dram shops. Gin was sold everywhere: in taverns, alehouses and squalid gin shops, in chandler’s merchants and corner stores, tobacconists, barbers, as well as by street hawkers and pedlars” writes Geraldine Coates in Discovering Gin. In 1733, it was calculated that London produced 11 million gallons of gin, 14 gallons for every adult in the city. It was only when the government succeeded in restricting sales to licensed premises and raising taxes that the rot was stopped. By contrast the ‘gin palaces’, the elaborately decorated bars of the Victorian era were perceived as highly glamourous as were the cocktail bars of the 1920s and 30s when gin-drinking was the height of chic.
Over the years the style of gin changed too from being a comparatively sweet drink, distilled, like vodka, from grain to a bone dry one, the style now described as ‘London Gin’ (London always having been the centre of gin production in this country). It relies for its character on the so-called botanicals (plants and spices) that are used to flavour it. Apart from juniper the essential flavouring ingredient of all gins, the most common are coriander, angelica and orange and lemon peel but some producers use more exotic ingredients like Javan cubeb berries, grains of paradise from West Africa and Orris root (the root of irises).
More recently there has been a fashion for adding distillations of fresh ingredients such as rose petals, cucumber and lemon grass, a development that has revived interest in gin in fashionable style bars. Sales of premium gins have increased by 12% in the past year. “It’s similar to what was happening with vodka 10 years ago” says Geraldine Coates. “Bartenders are becoming bored with vodka because it doesn’t have much flavour and are turning to gin instead”.
They also like the high strength of many contemporary gins which makes the spirit hold its character well in a cocktail. Plymouth for example, is 41.2%; Tanqueray an even higher43.1%. Gordon’s was much criticised a few years ago for reducing its strength to 37.5% but it still shows up well in blind tastings, says Coates.
Salvatore Calabrese agrees that it’s a matter of taste. “You should try different gins until you find the one you like.” And what does he like? “I like them all” he says diplomatically, glancing at his line-up of bottles. “Otherwise they wouldn’t be here.”
This article was first published in Sainsbury's magazine. Salvatore Calabrese is the author of Classic Cocktails (Prion 9.99) For more information about gin and cocktail recipes visit www.gintime.com

Which wine should precede a Leap Year proposal?
Men, it seems, are real softies at heart and you will woo them either with their favourite wine or an experience so romantically spontaneous it won’t matter if you drink plonk. “I've always considered gluggability to be a much undervalued virtue in wine, for sometimes, when you are with the right person, that is all that you ever really need.” wrote one friend, wine writer Marc Millon, whose full response you can read below.
Specific bottles mentioned (no Bordeaux, interestingly) included:
Michel Chapoutier Hermitage Pavillon 2001
Chevalier Montrachet
“Anything from Stag's Leap”
Roumier, Chambolle - Musigny, Amoureuses 1993
Krug Collection 1985
Vieux Telegraphe
“The best vintage of Chateau d'Yquem you can get your hands on”
I had a couple of heart-touching responses, including this one from Peter, a retired wine merchant. “Some 12 leap years ago, Elaine and I shared a bottle of Gewurtztraminer over dinner on the 29th Feb. Neither is sure who popped the question, but we still drink Gewurz often. It remains a firm favourite, especially for special occasions.”
Another, more philosophical reply from a fellow food and wine writer Marc Millon who admits it’s now 30 years since he and his wife Kim agreed to tie the knot (he can’t remember who proposed to whom, as you’ll see below:)
It would appear to me that from the young (or not so young) man's point of view, it would be not so much a question of what wine I (assuming it were me) would like to receive or drink, that might might sway my mind. Rather it would be what the wine chosen might reveal about the young (or not so young) lady in question.
I, for example, might like nothing better than to be offered, say, a bottle of Tignanello, all Tuscan muscularity allied with sleek, polished elegance, a beautiful, crafted designer wine, one of my favourites. But would one necessarily seek such qualities in a prospective spouse?
I have no problems with elegance allied with muscularity, for strength is most certainly a virtue, in both man and woman. But the self-conscious, crafted nature of such a designer wine precludes the possibility of surprise, of unpredictability, surely qualities required in any marriage.
What about a Chambolle-Musigny, the potential pleasures of silky, perfumed, Pinot Noir from the Cote d'Or offering musky, sexy flavours in a bottle unlike any other. For what young (or not so young) man can resist musk and sex?
Yet, on the other hand, who really could say what such a bottle might truly reveal: exquisite sensuous pleasure of the highest order; or expensive, disappointing folly? Surely too much of a risk to take, in either wine or partner!
What about an old, sweet Vouvray, richly golden, honeyed, persistent? Surely such a wine demonstrates, like no other, that, with the passing of the years, in wine as in life, age brings complexity and unfathomed depths of interest, allied with a surprising freshness that comes from an invigorating backbone of acidity, the wine's vigor, exciting energy and richness only intensified with the passing of the years.
Kim did not propose to me on a Leap Year more than 30 years ago. But I do recall, somewhat fuzzily, that we decided jointly to tie the knot after consuming a rather large quantity of wine. The vintage in question? Um er, actually, I believe it was from a plastic covered five-litre garrafa of Lagoa vinho tinto, lugged back with us from a trip to the Algarve (a region we continue to visit and love to this day).
No one could say that that wine, produced from sunbaked southern vineyards in a rather ramshackle and antiquated co-operative winery, was fine in any way. But my god, it was gorgeously gluggable. And glug away we most certainly did!
Indeed, I've always considered gluggability to be a much undervalued virtue in wine: for sometimes, when you are with the right person, that is all that you ever really need.
And finally a contribution from a female cookery writer for whom champagne did do the trick:
"We didn't get engaged on a leap year but this year will see our 36th anniversary. We got engaged under a Moet & Chandon vine after a wonderfulmeal in a country restaurant, after which we snuggled down between the vines in our sleeping bags under the stars. Celebrated next morning with the free glass you are offered during the visit to Moet, though we did have to
establish that we both had the same memory of what we'd decided the night before.
After that we had an enduring interest in champagne and, until children arrived, had a half bottle in bed to wake us up on our anniversary."
Image © Kudryashka - Fotolia.com

Which wine to choose for Thanksgiving
The first thing to bear in mind about Thanksgiving - and for that matter Christmas - is that it’s as much about mood as food. Who you’re inviting, what age they are and how big your party is are factors every bit as important as what you’re eating.
I say this particularly because the main Thanksgiving meal and the meals around it are hard ones to match: what you need is a wine that is going to cope with a whole battery of delicious flavours.
Personally I always like to start a celebratory meal like this with a glass of sparkling wine which gets everyone into the festive spirit. It doesn’t have to be Champagne (though in our house it usually is!) - there are many good substitutes available from cut price cava (good for parties) and crémants to Champagne lookalikes that come from premium sparkling wine-producing areas such as California and New Zealand.
If you’re starting with a soup such as a pumpkin soup or a creamy chowder as you may well be I’d suggest a smooth dry unoaked or lightly oaked Chardonnay or a Chenin Blanc. That might sound like a bit of a cop-out - everyone drinks Chardonnay but that’s because everyone likes Chardonnay - and for festive family meals what you’re looking for are crowd pleasers. Smooth dry whites are also just about the best available match for soup.
If you’re planning some kind of seafood starter Sauvignon Blanc is generally a safe bet though if it incorporates Asian flavours you could serve a dry or off-dry Riesling.
For the turkey itself I would offer a choice of white or red - a full-bodied Chardonnay or Viognier for the more adventurous and a ripe fruity red - something like a Zinfandel, Merlot, Carmenère, Shiraz or a full bodied Pinot Noir (lighter styles may get swamped by the big flavours of typical turkey accompaniments). These wines will work with a Thanksgiving ham too.
Your instinct may well be to bring out a much treasured old bottle you’ve been saving for a special occasion but I would save it for a smaller gathering and a simpler menu. What you need with turkey and its trimmings is a wine that is vibrantly fruity not one that’s faded and delicate. If you don’t already have a favourite bottle in mind it’s a good idea to visit a local wine shop or merchant that has regular tastings so you can try a selection of different wines before you buy.
Desserts again can be a bit of a minefield for wine, particularly if you’re serving more than one. Pumpkin pie, I’ve found is particularly good with a southern French Muscat or Spanish Moscatel, wines which would also work with a traditional apple pie.
If you’re serving a chocolate dessert however I’d suggest a sweet red wine such as a sweet Shiraz. or, again for adventurous guests, iced shots of a raspberry-flavoured liqueur or a cherry brandy. The basic rule to bear in mind is that your wine should be sweeter than your dessert - and served well chilled.
You may also find this post useful on the difference between the Thanksgiving turkey and a Christmas turkey when it comes to choosing wine and this longer post on drink matches for pumpkin pie.

Summer ideas for cheese plates
Despite my passion for cheese I’ve long been a believer that you don’t need to lay on a massive cheese board to enjoy it. You can just as easily (and more cheaply) serve a cheese plate.
These can vary from month to month depending on what fruit and vegetables are in season. Here are my ideas for some summer cheese plates, for example, from my book Fiona Beckett’s Cheese Course which has just been re-issued by Ryland Peters & Small (should you feel moved to get yourself a copy!) A really easy way to entertain or make a light, delicious snack for one or two.
Take advantage of the wealth of fresh fruit and vegetables to show off your cheeses: fresh berries, watermelon, peaches, apricots, tomatoes and peppers. Don’t be afraid to introduce a touch of spice. Chilli and garlic work well with cheese.
* Serve thinly sliced sheep’s cheese with grilled peppers and almonds as a mini tapas plate with a glass of fino sherry. Or do as the Basques do and serve it with a cherry compote and a glass of fruity red wine.
* Serve individual ploughman’s platters with a good chunk of Cheddar, thickly carved ham, a dollop of chutney, an apple, some crusty bread and traditional English ale or cider
* Serve a mini antipasti plate with slices of fennel salami, mozzarella and grilled artichokes or slow-roasted tomatoes and breadsticks. Drink a light Italian red or white with this.
* Plate up chunks of watermelon, crumbled Feta and pumpkin seeds and drizzle with olive oil and balsamic vinegar (pictured above)
* Serve a creamy cheese, such as Explorateur, Robiola or Brilliat-Savarin with a peach and a glass of dessert wine
* A show-stopper (which actually makes the cover of the book): a wedge of Brie, some fresh cherries and a small glass of Guignolet or a Belgian cherry beer.
Fiona Beckett's Cheese Course is published by Ryland, Peters & Small at £19.99 and in the US at $21.61
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