Cocktails

Enoteca Rosso’s White Negroni
Although the negroni is a much-loved classic that doesn’t stop bartenders playing with the ingredients though they tend to keep to the classic formula of gin, vermouth and some kind of bitters - usually Campari.
One variation you might like to try is a white negroni which I tasted at Enoteca Rosso the other day. Their formula was 1/3 gin (47% Gadan Gin Agricolo from Italy), 1/3 Cinzano Bianco which provided the sweet element and 1/3 Luxardo Bitter Bianco. It makes for a strong but summery drink that’s better suited to drinking at this time of year than the classic version.
Manager Claudio Gelmini prefers a lemon garnish if you’re drinking it as an aperitif. I wasn’t wholly convinced as I’d normally use orange with a Cinzano Bianco but he was right. It was much more refreshing.
Other versions use Cocchi Americano or Lillet Blanc instead of Cinzano (see this recipe from Imbibe) and Suze in place of the Luxardo with generally more gin than vermouth or bitters. They are also inclined to make it in a mixing glass then strain it into an ice-filled glass but I personally don’t mind a bit of dilution with a drink this strong.
Enoteca Rosso’s White Negroni for 1
30ml gin
30ml Cinzano Bianco
30ml Luxardo Bitter Bianco
A sliver of lemon peel
Fill a tumbler with ice cubes, pour over the gin, Cinzano and Luxardo and stir. Squeeze over the lemon peel and drop it in the glass.
What to eat: Herby green olives would be particularly nice with this but you could have a selection of antipasti.
Enoteca Rosso is one of the bars celebrating Negroni Week this week

Why the Negroni is the Marmite of the cocktail world
"The Negroni is the Marmite of mixed drinks" writes Ian Cameron. So why does it put so many people - including restaurant critic Jay Rayner - off?
"Taken at face value, the classic cocktail from 1920s Florence is a simple enough concept: gin, sweet vermouth and Campari, poured in equal measures. There's no mixological whimsy at work, no fancy techniques - you just pour the liquids over a few ice cubes in the glass you're going to serve it in and give it a stir. Throw in an orange twist and Bob's your uncle.
Yet when drinkers raise a Negroni to their lips the cocktail has an incredibly polarising effect. Like the nation's reaction to its most famous yeast extract, people literally love it or hate it. It's a big, boozy, big boy's drink, dry and jowl-shakingly bitter. It comes at you like a wake-up call at 3am.
To its fans, it's an aperitif without compare, a sophisticated kick start to enliven the palate and stiffen the sinews ahead of a meal.
To the haters, it's a red devil incarnate.
Is it in the healthy slug of gin? It can't be. We all love a stiff G&T and gin has been probably the most interesting spirit category of late, with a slew of new brands, flavours and styles.
What about the vermouth? Sure, an appreciation of aromatized wines can be an acquired taste, and in this ratio it's undoubtedly a star player as much as the gin, but it's hardly offensive.
No, it must be the Campari.
The bright red allure of Campari is deceptive, its hue redolent of a cordial, promising sweetness, maybe berry flavours or a pomegranate-like grenadine quality. But to the uninitiated, its bitter, rooty glory can come as a nasty surprise, akin to licking a full ashtray.
Those that are averse to the taste may never change their minds, but for those it appeals to, there's really no substitute. And that, perhaps, is its ultimate conceit: if you like it, you're a member of a special club.
If you're not, they're not looking for any new members.
Here's how I make mine:
Take a nice, chunky rocks glass. Fill it with some good quality ice - chunky, tongue-stickingly cold, no wet pub ice and certainly not crushed. Pour over a shot of a bold gin - I like Plymouth - then a shot of vermouth such as Carpano Antica Formula. Finally a shot of Campari - there's no substitute. Give it a stir and add in an orange wedge. Job done.
Ian Cameron is editor at diffordsguide.com, which won the Best Cocktail Writing (Publication) award at the Tales of the Cocktail convention in New Orleans in July 2013. He is a contributing editor to worldsbestbars.com and has written for BBC Olive, GQ, Esquire and The Independent.
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